Milton Becerra for the first time at Museo de Arte Contemporáneo de Lima, Perú

Milton Becerra (Venezuela, 1951), one of the most versatile and prominent artists in Latin America, presents his work for the first time at the MAC Contemporary Art Museum in Lima, Peru.

Milton Becerra for the first time at  Museo de Arte Contemporáneo de Lima, Perú

For the first time Milton The multidimensional work of this Venezuelan plastic artist, focused on curiosity and the investigation of a performative and widely articulated section in disciplines such as Sculpture, Installations, painting, photography, texts and audio pieces, digital images, expeditions, exploration travel projects; traveler of time and vast territories, who interweaves in his art forms from spatio-temporal sources, which, being as diverse as distant, converge in the same relationship that reflects the prodigious framework of the universe, thus bringing the past of America closer to the discoveries of the theories of quantum physics and the myths of the first tools of prehistory to his Contemporary Art proposals.

The Site specific Art (Installation) 'Symphony of the Universe' It is through this study of nature and its mathematical structure where he undertakes this process, based on fostering a source of irradiation that expands in different directions appropriating the place to convert it In a vector of the projection of visual energy. In the 70s in interventions experienced in nature where the projection of the lines made with natural fibers (strings) flash a variety of light rays, it is perceived that they communicate the space between them reflecting the visual levitation of the stroke executed in the landscape .
The artist using threads as structural elements in many of his works where the thread knots the stone in its natural state that represents the symbol of the enduring, the imperishable, the power of being, which is the center of energy and point of attention of the look, in it the irradiation of the lines that draw the space, simulate orbits of the stone defying the gravity, the tensions of the lines are deep that are projected visually referring to vibrations and almost imperceptible sounds.
He has exhibited his works monographically in galleries, art centers, biennials, institutions such as: Casa de las América, Madrid; El Tanque Cultural Space Tenerife, Canary Island; Fundación Saludarte, galleries 2 and 3 Ciudad Banesco, Caracas, Miami; Daniela Chappard Foundation, Caracas. Museums such as: Museum of Contemporary Art (MAC), Lima, Peru; Design and Contemporary Art of San José in Costa Rica; Contemporary Art of Caracas; Museum of Fine Arts of Caracas; Rohrbach Zement Museum, Dotterhausen, Germany; Museum of Pontevedra, Galicia, Spain; Museum of La Mine en France, Museum of Modern Art in Paris; Sao Paulo Biennial, Lima Biennial, Paris Biennial, Limerik Ireland Biennial, Panama Biennial.
References of his works: Analysis of a process in time, painted stones. His expeditions to the Amazon: Xawara, Yanomami Siglo XXI. His monumental works: Ax, O, Meridians and parallels, Lotus, Meteor. Its facilities: The stone sings the child sleeps, Identity, Nests and Labyrinth, Chinchorros, Continuous line, Irradiation of energy. Winner of numerous national and international awards (selection): Laureate in eBook d'Artiste by Tribew, La Maison des Artistes, Saison 2, Paris, France (2017); Omar Carreño Award in Conceptual Art, awarded by the College of Architects of Venezuela, Caracas (2014); AICA Award (International Association of Art Critics) to the international projection (2008); Honorable Mention EST92, Tijuana, México (1998); First Prize of Ephemeral Art, II Biennial of Guayana, Jesús Soto Museum, Ciudad Bolívar, Venezuela (1989); Acquisition Award O Klinikverwartung, Bad Rappenau, Germany (1989); Foundation award Mariscal Ayacucho Foundation, for license studies, Paris (1980) among others.

His work is represented internationally in numerous institutional collections