Galleries

“uncanny” EXPLORES THE ROOTING OF IDENTITIES

The +ARTE gallery exhibits uncanny, which highlights the works of artists María Fernanda Carlos and Pamela Corrales. Curated by Gabriela Moyano, the artists examine themes that come from their intimate sphere: holding and containing as female figures, the home, and healing rituals through the evaluation of ancestral, intergenerational, and personal knowledge. In this way, the exhibition generates an appreciation of the interrelationship between daily life and its territories.

Galleries

“uncanny” EXPLORES THE ROOTING OF IDENTITIES

Until 03/11/2022
Quito, Ecuador
GALERÍA REBELDE EXHIBITS TEXTILE ART IN “LA HISTORIA DE LA LONA”

La historia de la lona (The History of Canvas) is an international exhibition of canvases, textiles and paintings that narrate their stories and processes as well as those of the artists who intervene in them. The focus is then on the process, rather than the result.

Galleries

GALERÍA REBELDE EXHIBITS TEXTILE ART IN “LA HISTORIA DE LA LONA”

Until 02/28/2022
Guatemala, Guatemala
VISUAL PHENOMENA IN TWO EXHIBITIONS – NUEVEOCHENTA GALLERY

The gallery, located in Bogotá, presents exhibitions of artists who, through explorations from the work and, more importantly, in the work, question the use of formal elements both in their proper sense and in contrast to other practices, both artistic and consumption-wise.

Galleries

VISUAL PHENOMENA IN TWO EXHIBITIONS – NUEVEOCHENTA GALLERY

Until 02/22/2022
Bogota, Colombia
ALEXANDER GRAY ASSOCIATES REPRESENTATION OF RONNY QUEVEDO

The New York-based gallery will present Quevedo's first solo exhibition with the Gallery in fall 2022.

Galleries

ALEXANDER GRAY ASSOCIATES REPRESENTATION OF RONNY QUEVEDO

The New York-based gallery will present Quevedo's first solo exhibition with the Gallery in fall 2022.

OSCAR MURILLO JOINS KURIMANZUTTO

Oscar Murillo has developed a multifaceted and inventive art practice, which constantly probes questions of collectivity and shared culture, while being fundamentally connected to the affective qualities of different materials.

Galleries

OSCAR MURILLO JOINS KURIMANZUTTO

Oscar Murillo has developed a multifaceted and inventive art practice, which constantly probes questions of collectivity and shared culture, while being fundamentally connected to the affective qualities of different materials.

ALCHEMIC CHANTS BY YANIRA COLLADO

“My work attempts to assemble a visual language that reconciles the process in which the history of this information is recorded, stored, and retrieved." Emerson Dorsch presents Alchemic Chants/ Reliquias Fragmentadas, Yanira Collado’s first solo exhibition with the gallery. A platform nearly covers the gallery floor, while objects and paintings punctuate the slim corridor around it. The platform echoes the footprint of a small house, one for living and for working.

Galleries

ALCHEMIC CHANTS BY YANIRA COLLADO

“My work attempts to assemble a visual language that reconciles the process in which the history of this information is recorded, stored, and retrieved." Emerson Dorsch presents Alchemic Chants/ Reliquias Fragmentadas, Yanira Collado’s first solo exhibition with the gallery. A platform nearly covers the gallery floor, while objects and paintings punctuate the slim corridor around it. The platform echoes the footprint of a small house, one for living and for working.

ENRIQUE MARTÍNEZ CELAYA: THE ROSE GARDEN

UTA Artist Space and Unit London announce a new immersive environment by the celebrated Los Angeles-based artist Enrique Martínez Celaya. The Rose Garden ambitiously brings together new paintings, sculptures, installations, photographs, garments, and writing, inviting viewers to consider the self—both its promise and its threat—through the mystical divination of memory.

Galleries

ENRIQUE MARTÍNEZ CELAYA: THE ROSE GARDEN

UTA Artist Space and Unit London announce a new immersive environment by the celebrated Los Angeles-based artist Enrique Martínez Celaya. The Rose Garden ambitiously brings together new paintings, sculptures, installations, photographs, garments, and writing, inviting viewers to consider the self—both its promise and its threat—through the mystical divination of memory.

CASA TRIÂNGULO EXHIBITS MAX GÓMEZ CANLE'S "FUERA DE LUGAR"

Casa Triângulo exhibits Argentinian artist Max Gómez Canle’s fourth solo exhibition at the gallery, curated and with texts by Natalia Malamute and Violeta Mollo. With text by Natalia Malamute, presented below, Fuera de lugar has the support of Projeto Fidalga Residência Paulo Reis.

Galleries

CASA TRIÂNGULO EXHIBITS MAX GÓMEZ CANLE'S "FUERA DE LUGAR"

Until 03/19/2022
São Paulo, Brasil
HILARIO: ONLINE AUCTION OF ART, LETTERS AND CRAFTS

Hilario Gallery presents its XV edition of online auctions with a selection of works of art, vintage photography, cartography, engravings, traditional textiles, silverware, old books and historical manuscripts.

Galleries

HILARIO: ONLINE AUCTION OF ART, LETTERS AND CRAFTS

Until 01/26/2022
Buenos Aires, Argentina
PROYECTOS ULTRAVIOLETA EXHIBITS RIOS DE GENTE (RIVERS OF PEOPLE)

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

Galleries

PROYECTOS ULTRAVIOLETA EXHIBITS RIOS DE GENTE (RIVERS OF PEOPLE)

Proyectos Ultravioleta presents Ríos de Gente (Rivers of People), the second solo show by Regina José Galindo at the gallery, dedicated to Bernardo Caal, defender of the water, the earth, and of the rights of indigenous peoples.

TRAMA (PLOT): NELA OCHOA EXHIBITS AT SARO LEÓN

On Friday, January 21, at 6:30 p.m., the individual exhibition TRAMA, by Nela Ochoa, a Venezuelan/Spanish artist who has resided in Tenerife since 2017, will open at the Saro León gallery.

Galleries

TRAMA (PLOT): NELA OCHOA EXHIBITS AT SARO LEÓN

On Friday, January 21, at 6:30 p.m., the individual exhibition TRAMA, by Nela Ochoa, a Venezuelan/Spanish artist who has resided in Tenerife since 2017, will open at the Saro León gallery.

GASWORKS PRESENTS GALA PORRAS-KIM: OUT OF AN INSTANCE OF EXPIRATION COMES A PERENNIAL SHOWING

Gasworks presents Out of an instance of expiration comes a perennial showing, the first UK solo exhibition by Los Angeles-based artist Gala Porras-Kim.

Galleries

GASWORKS PRESENTS GALA PORRAS-KIM: OUT OF AN INSTANCE OF EXPIRATION COMES A PERENNIAL SHOWING

Until 03/27/2022
London
CASA TRIÂNGULO ANNOUNCES O BASTARDO’S PRETOS DE GRIFFE

O Bastardo’s first solo exhibition at the gallery points to the urgent need for a historical revisionism that will enable black people to increasingly believe they are what they have always wanted to be: free to enjoy life in all its fullness.

Galleries

CASA TRIÂNGULO ANNOUNCES O BASTARDO’S PRETOS DE GRIFFE

Until 01/29/2022
São Paulo
GUATEMALA – MIDDAY’S NIGHT AT THE GALERÍA REBELDE

This is the first solo exhibition of the renowned Guatemalan photographer Andrés Asturias at the gallery. With intimate images of contemporary still lifes photographed in his home, Asturias lets us delve into the inner world of the photographer in his studio. Thus, La Galería Rebelde is transformed into a garden of strange and unique natures that in simple or highly elaborate arrangements surround us in a greenhouse of colors, sizes, stories, shadows and moods.

Galleries

GUATEMALA – MIDDAY’S NIGHT AT THE GALERÍA REBELDE

Until 01/20/2022
Guatemala City
TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

Galleries

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

MONTENEGRO ART PROJECTS (MAP) OPENS A NEW SPACE IN BOGOTÁ WITH “SILENT THREADS”

The thread is the element that stars in this exhibition, increasingly relevant in contemporary art. It is silent because of its "designation" as a material for women, reflected in techniques such as weaving, embroidery and sewing. The exhibition highlights these traditional activities and shows how artists from Nigeria, Argentina, Cuba, the United States and Colombia coincide in the use of thread and collage in their works. The exhibition is curated by Los Angeles-based design specialist Liliana Becerra and the MAP team (Ana Lucía Arbeláez, art historian, and Sandra Montenegro, director).

Galleries

MONTENEGRO ART PROJECTS (MAP) OPENS A NEW SPACE IN BOGOTÁ WITH “SILENT THREADS”

The thread is the element that stars in this exhibition, increasingly relevant in contemporary art. It is silent because of its "designation" as a material for women, reflected in techniques such as weaving, embroidery and sewing. The exhibition highlights these traditional activities and shows how artists from Nigeria, Argentina, Cuba, the United States and Colombia coincide in the use of thread and collage in their works. The exhibition is curated by Los Angeles-based design specialist Liliana Becerra and the MAP team (Ana Lucía Arbeláez, art historian, and Sandra Montenegro, director).

AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

Dot Fiftyone presents the first solo show of the celebrated Mexican artist Pedro Friedeberg in the gallery. With a career spanning more than six decades, Friedeberg is considered an outstanding and emblematic cultural figure. Born in 1936, he was first recognized as a Surrealist artist alongside Leonora Carrington and Remedios Varo. He originally trained as an architect and rejected modernism, turning to art with his mentor and friend Mathias Goeritz. In the early 1960s he was part of the interdisciplinary group Los Hartos (The Fed-Ups), always opposing the canon as well as visual and conceptual trends. The irony and absurdity that has characterized his broader artistic practice is embodied in the Mano-Silla (Hand Chair), which has elevated him to the global sphere since 1962. He remains prolific and is significant for new generations.

Galleries

AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

Dot Fiftyone presents the first solo show of the celebrated Mexican artist Pedro Friedeberg in the gallery. With a career spanning more than six decades, Friedeberg is considered an outstanding and emblematic cultural figure. Born in 1936, he was first recognized as a Surrealist artist alongside Leonora Carrington and Remedios Varo. He originally trained as an architect and rejected modernism, turning to art with his mentor and friend Mathias Goeritz. In the early 1960s he was part of the interdisciplinary group Los Hartos (The Fed-Ups), always opposing the canon as well as visual and conceptual trends. The irony and absurdity that has characterized his broader artistic practice is embodied in the Mano-Silla (Hand Chair), which has elevated him to the global sphere since 1962. He remains prolific and is significant for new generations.

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

Geneva-based gallery Espace Muraille presents Eamon Ore-Giron: Auto-Tune, the first-ever show of the Los Angeles-based artist in continental Europe. Curated by Valentina Locatelli and developed in close collaboration with the artist, the exhibition gathers eighteen paintings from his ongoing series Infinite Regress, conceived especially for the exhibition in Geneva, and two loom-woven tapestries created in collaboration with the Taller Mexicano de Gobelinos in Guadalajara, Mexico

Galleries

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

Geneva-based gallery Espace Muraille presents Eamon Ore-Giron: Auto-Tune, the first-ever show of the Los Angeles-based artist in continental Europe. Curated by Valentina Locatelli and developed in close collaboration with the artist, the exhibition gathers eighteen paintings from his ongoing series Infinite Regress, conceived especially for the exhibition in Geneva, and two loom-woven tapestries created in collaboration with the Taller Mexicano de Gobelinos in Guadalajara, Mexico

INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

Galleries

INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

Galleries

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

Galleries

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

CASA HOFFMANN EXHIBITS ARTIFACTS, A PROJECT ABOUT PRIVACY AND TECHNOLOGY

ARTIFACTS is a project curated by researchers Barbara Krulik (US/NL) and Mildred Durán (CO/FR) that revolves around the ubiquity of information and data, and our relationship with them in the contemporary world. It was the winner of the Santa Fe Gallery Network Grant 2021 - Continuous Programming.

Galleries

CASA HOFFMANN EXHIBITS ARTIFACTS, A PROJECT ABOUT PRIVACY AND TECHNOLOGY

ARTIFACTS is a project curated by researchers Barbara Krulik (US/NL) and Mildred Durán (CO/FR) that revolves around the ubiquity of information and data, and our relationship with them in the contemporary world. It was the winner of the Santa Fe Gallery Network Grant 2021 - Continuous Programming.

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

Galleries

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

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