EXPLORING THE ORIGIN OF THE MYTH OF WEALTH IN THE "NEW WORLD"
The exhibition El paraíso en el nuevo mundo (Paradise in the New World) at Espacio El Dorado explores the implications of the imaginary of the earthly paradise in the colonizing process of America, and its persistence.

The affirmation of the Paradise’s location in the new lands varies according to the imperial ideological line, both Catholic (Spain and Portugal) and Protestant (Holland and England), and there is even talk of Jewish influence. Each horizon was fed with images and stories of the chroniclers of the Indies and with texts impregnated with a poetic fantasy that sought to create an atmosphere of credibility in the context of the process of expansion of the empires and that, of course, ended up distorting history itself.
The idea of locating paradise in the new world had repercussions on the ideology of the landscape, the conditions of the territory and the attitude of its inhabitants, which has led us to the paradox between an abundant and open place (utopian) and at the same time a wild and inhospitable place.
The search for Paradise was a medieval obsession fed by Louis IX who, with such an illusion, sent Guillaume de Rubruck on an expedition to Asia in 1253. His voyage resulted in the tracing of the so-called Silk Road, which would later be traveled by the Polo brothers until the Turks took Constantinople and closed it in 1453.
According to the Genesis, the Earthly Paradise is to the east of Eden, that is, to the east of the east, to the east of any known place "where no one can reach except by divine will" (Diary of Columbus). Paradise was located just beyond the unknown and was represented as a terrifying void plagued by monsters, acephals, Amazons, pygmies and cannibals.
The attempts to locate the paradise in America were multiple and with enormous implications that suggest reflections on the subject: how did the Spanish colonizers come to consider within the domains of the Catholic Church territories that already had an owner and to decide on the future of its inhabitants?
This cycle reflects on the imperial ideological discourse and the forms of circulation of information in the context of the struggles between a Catholic and a Protestant Europe, as evidenced in the publications of Fray Bartolomé de Las Casas or Theodor De Bry, who made very detailed descriptions of the encounter between the Europeans and the inhabitants of the New World.
The works and projects exhibited correspond to a critical review of the representation, conceptualization and narrative that identifies us to this day. The sequels of this imaginary have transcended culturally throughout centuries and the paradise in the New World continues to be idealized, which paradoxically has led us to a territory that privileges extractivism, land tenure, the idea of wealth and inexhaustible resources, the impossibility of encompassing the territory and the failed project of nation building, among others.
Participants include Leidy Chávez, José Ismael Manco, Leonel Castañeda, Fernando Pareja, Francisca Jiménez, Paula Milena Sánchez, Taller 4 Rojo, Umberto Giangrandi, Santiago Montoya, Luna Acosta, Juan Carlos Echeverri, José Ruiz, Carolina Borrero, Julieth Morales and Fabio Melecio Palacios.
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Fernando Pareja. Hidrargirismo, la danza de la Rana cañera. Rhinella Marina. Modelado virtual 3d e Impresión Gicleé sobre papel Epson ultra premium Photo luster de 260 gramos. 110 x 110 cm. Edición: P/A. 2022 - 2023.
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Fernando Pareja. Hidrargirismo, la danza de la Rana cañera. Rhinella Marina. Modelado virtual 3d e Impresión Gicleé sobre papel Epson ultra premium Photo luster de 260 gramos. 110 x 110 cm. Edición: P/A. 2022 - 2023.
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Obra de Fabio Melecio Palacios.
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Santiago Montoya. World Map (Queen of Pain).
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Julieth Morales. Ishuk Misak / Mujer Misak.
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Francisca Jiménez. Coordenadas de escape.
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Francisca Jiménez. Archivo de la inundación.
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Taller 4 Rojo. Tania.
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Santiago Montoya. Condenados al éxito.
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Taller 4 Rojo. Tríptico. Colombia 70. A Colombian History.
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Umberto Giangrandi. Sin título.
El paraíso en el nuevo mundo. Group exhibition.
Until July 15, 2023.
Curated by María Alejandra Toro and José Darío Gutiérrez.
Espacio El Dorado. Cra. 4a #26c-37, Bogotá, Colombia.
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For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.
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El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21st century by sixty artists.
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Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.
THE COLOMBIAN CARIBBEAN THROUGH RUBY RUMIE´S PERSPECTIVE

Chosen memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond is a mayor exhibition at MoMA that gathers approximately 65 works by Latin American artists who, over the last four decades, have looked at history as the source material for new work.
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Carlos Motta's Stigmata exhibition offers a comprehensive overview of the Colombian artist's career, highlighting his concern for documenting the social conditions and political disputes of sexual, ethnic and gender minorities, with the intention of challenging dominant and normative discourses.
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MODERN LEGACY FROM THE LATIN AMERICAN PERSPECTIVE - MAIN SECTION AND SOLO DUO AT PINTA PArC
Pinta PArC, Peru Contemporary Art inaugurated its tenth edition. A unique opportunity to discover and explore contemporary art proposals from around the world and, especially, innovative initiatives from the region.

Whitechapel Gallery presents Action, Gesture, Paint: Women Artists and Global Abstraction 1940-70, a major exhibition of 150 paintings from an overlooked generation of 81 international women artists.

Europe galleries meet Latin American artists at Art Basel: Nohemí Pérez, Ernesto Neto, Carlos Garaicoa, Alejandro Cesarco, Jesús R. Soto, Manuel Solano, Bayrol Jiménez, Paolo Salvador, Dalton Gata, Ad Minoliti, Rafa Silvares and Jorge Méndez Blake.
EUROPEAN GALLERIES AND LATIN AMERICAN ARTISTS AT ART BASEL 2023
Europe galleries meet Latin American artists at Art Basel: Nohemí Pérez, Ernesto Neto, Carlos Garaicoa, Alejandro Cesarco, Jesús R. Soto, Manuel Solano, Bayrol Jiménez, Paolo Salvador, Dalton Gata, Ad Minoliti, Rafa Silvares and Jorge Méndez Blake.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.
PABLO ATCHUGARRY'S ANTHOLOGICAL EXHIBITION AT LECCO
As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

The exhibition at KBr Fundación MAPFRE Photo Center gathers Mexican artist Tina Modotti’s work, recovering her facets as an artist/photographer and as a revolutionary/anti-fascist militant.
KBr FUNDACIÓN MAPFRE PRESENTED TINA MODOTTI’S EXHIBITION
The exhibition at KBr Fundación MAPFRE Photo Center gathers Mexican artist Tina Modotti’s work, recovering her facets as an artist/photographer and as a revolutionary/anti-fascist militant.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.
THE THYSSEN MUSEUM AND CASA DE AMERICA JOIN FORCES TO MAKE WOMEN VISIBLE
The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The European Cultural Foundation announced a brand-new commissioning grant of up to 500000 EUR to be awarded to one single organization or consortium of partners for the curation and hosting of the European Pavilion 2024.
OPEN CALL POR CURATORIAL PROPOSALS. THE EUROPEAN PAVILION 2024
The European Cultural Foundation announced a brand-new commissioning grant of up to 500000 EUR to be awarded to one single organization or consortium of partners for the curation and hosting of the European Pavilion 2024.

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.
LATIN AMERICAN ARTISTS IN LIVERPOOL BIENNALE
The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).

The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.
NAOMI RINCÓN GALLARDO PRESENTS THE TZITZIMIME TRILOGY AT LA CASA ENCENDIDA
The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.

For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.
CARLOS BUNGA’S NEW INSTALLATION AT SARASOTA ART MUSEUM
For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.

The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.
ARTISTS NOMINATED FOR THE 13TH LUIS CABALLERO AWARD
The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.

El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21st century by sixty artists.
EL DORADO AT AMERICAS SOCIETY, NEW YORK
El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21st century by sixty artists.

Ruby Rumié’s fourth solo exhibition at the Nohra Haime Gallery. Nosotros 172 años después (Us, 172 years later) consists of a series of 100 photographs referencing the Colombian Caribbean: its people, their diversity and its food.
THE COLOMBIAN CARIBBEAN THROUGH RUBY RUMIE´S PERSPECTIVE

Chosen memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond is a mayor exhibition at MoMA that gathers approximately 65 works by Latin American artists who, over the last four decades, have looked at history as the source material for new work.
LATIN AMERICAN ART FUSIONS WITH HISTORY AT MoMA
Chosen memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond is a mayor exhibition at MoMA that gathers approximately 65 works by Latin American artists who, over the last four decades, have looked at history as the source material for new work.

Carlos Motta's Stigmata exhibition offers a comprehensive overview of the Colombian artist's career, highlighting his concern for documenting the social conditions and political disputes of sexual, ethnic and gender minorities, with the intention of challenging dominant and normative discourses.
HIV NARRATIVES BY CARLOS MOTTA
Carlos Motta's Stigmata exhibition offers a comprehensive overview of the Colombian artist's career, highlighting his concern for documenting the social conditions and political disputes of sexual, ethnic and gender minorities, with the intention of challenging dominant and normative discourses.

Pinta PArC, Peru Contemporary Art inaugurated its tenth edition. A unique opportunity to discover and explore contemporary art proposals from around the world and, especially, innovative initiatives from the region.
MODERN LEGACY FROM THE LATIN AMERICAN PERSPECTIVE - MAIN SECTION AND SOLO DUO AT PINTA PArC
Pinta PArC, Peru Contemporary Art inaugurated its tenth edition. A unique opportunity to discover and explore contemporary art proposals from around the world and, especially, innovative initiatives from the region.

Whitechapel Gallery presents Action, Gesture, Paint: Women Artists and Global Abstraction 1940-70, a major exhibition of 150 paintings from an overlooked generation of 81 international women artists.

Europe galleries meet Latin American artists at Art Basel: Nohemí Pérez, Ernesto Neto, Carlos Garaicoa, Alejandro Cesarco, Jesús R. Soto, Manuel Solano, Bayrol Jiménez, Paolo Salvador, Dalton Gata, Ad Minoliti, Rafa Silvares and Jorge Méndez Blake.
EUROPEAN GALLERIES AND LATIN AMERICAN ARTISTS AT ART BASEL 2023
Europe galleries meet Latin American artists at Art Basel: Nohemí Pérez, Ernesto Neto, Carlos Garaicoa, Alejandro Cesarco, Jesús R. Soto, Manuel Solano, Bayrol Jiménez, Paolo Salvador, Dalton Gata, Ad Minoliti, Rafa Silvares and Jorge Méndez Blake.

As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.
PABLO ATCHUGARRY'S ANTHOLOGICAL EXHIBITION AT LECCO
As a celebration of the aniversary of artist Pablo Atchugarry's first exhibition in Italy, which took place in Lecco in 1978, the municipal administration of the city pays tribute to the artist who, throughout his career, transformed the material into work of opens and brought prestige to the capital of Como.

The exhibition at KBr Fundación MAPFRE Photo Center gathers Mexican artist Tina Modotti’s work, recovering her facets as an artist/photographer and as a revolutionary/anti-fascist militant.
KBr FUNDACIÓN MAPFRE PRESENTED TINA MODOTTI’S EXHIBITION
The exhibition at KBr Fundación MAPFRE Photo Center gathers Mexican artist Tina Modotti’s work, recovering her facets as an artist/photographer and as a revolutionary/anti-fascist militant.

The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.
THE THYSSEN MUSEUM AND CASA DE AMERICA JOIN FORCES TO MAKE WOMEN VISIBLE
The Thyssen Museum's Vision and Presence series will be complemented with a set of lectures by Latin American women artists to be held at Casa de América.

The European Cultural Foundation announced a brand-new commissioning grant of up to 500000 EUR to be awarded to one single organization or consortium of partners for the curation and hosting of the European Pavilion 2024.
OPEN CALL POR CURATORIAL PROPOSALS. THE EUROPEAN PAVILION 2024
The European Cultural Foundation announced a brand-new commissioning grant of up to 500000 EUR to be awarded to one single organization or consortium of partners for the curation and hosting of the European Pavilion 2024.

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.
LATIN AMERICAN ARTISTS IN LIVERPOOL BIENNALE
The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).

The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.
NAOMI RINCÓN GALLARDO PRESENTS THE TZITZIMIME TRILOGY AT LA CASA ENCENDIDA
The Tzitzimime Trilogy consists of three films: Versos de porquería (2021), Soneto de alimañas (2022), and Eclipse (2023) premiering at Casa Encendida.

For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.
CARLOS BUNGA’S NEW INSTALLATION AT SARASOTA ART MUSEUM
For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.

The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.
ARTISTS NOMINATED FOR THE 13TH LUIS CABALLERO AWARD
The Luis Caballero Award is back for its twelfth edition, which since 1996 has recognized the work of Colombian artists of long trajectory, becoming one of the most important incentives for the creation and circulation of art in Bogota, Colombia.

El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21st century by sixty artists.
EL DORADO AT AMERICAS SOCIETY, NEW YORK
El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21st century by sixty artists.