COLLECTIVE EXHIBITION AT DIANA LOWENSTEIN GALLERY
Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Curatorial text
In writer Elvia Wilk’s essay “The World Made Fresh: Mystical Encounter and the New Weird Divine” she discusses the protagonist in novelist Jeff VanderMeer’s book Annihilation (2014):
“Annihilation’s narrator is the unnamed biologist. An expert in ‘transitional ecosystems’ – regions where one biosphere meets another – she has trained with her colleagues for months to prepare for their journey into Area X.”
Wilk’s full text traces the relationship between historical imprints of female mysticism and finds that there is “a lineage of female knowledge outside of dominant epistemologies of both religion and science.” Exposing the often designated “other” or “alien” ascribed to such encounters and transcriptions of them, she argues for a new form agency in such knowledge. Thus, it is to her no coincidence that all (human) characters in Annihilation are women that share an empathic bond with Area X. Area X, an alien landscape that is officially quarantined in the story, represents a current realm of unknown unknowns in which the characters, and by extension – the potentials – of current female mystical modalities reside, according to Wilk.
Wilk summarizes that “The body is a transitional ecosystem; it can’t survive in a vacuum,” and suggests that a “new weird divine” may be emergent that pulls from the origins of traditional female mysticism into something that could serve as “a foundation for non-anthropocentric knowledge.” An example of this might be the recent artistic collaborative/movement Laboria Cuboniks, a.k.a., Xenofeminism. Another example is the current exhibition at The Brick in Los Angeles, Life on Earth: Art and Ecofeminism.
The group exhibition, consisting of ten gallery artists, attempts to address these thought-provoking concepts. From emergent and spliced figural studies, to abstract landscapes within fields of un/becoming, the assembled works of Close Encounters of the New Kind continues this trajectory.
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CLEMENCIA LABIN, Cosido 18, 2014 Fabric collages filled with Polyester cotton and painted with acrylics. Sewn on textile or paper, 22 x 16 1/2 in. (56 x 42 cm) CL-C-0118
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LIDZIE ALVISA, Imán, 2000 photograph, cardboard, pins and acrylic - Ed: 3/5, 11 x 13 3/4 x 1 1/2 in. (28 x 35 x 4 cm) AL-C-0036
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LOLE ASIKIAN, Masis, 2020 photo Canson Platine Fiber Rag, 39 1/4 x 59 in. (100 x 150 cm) Ed:5 AL-C-0002
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FELICE GRODIN, scenic route, 2023 freehand ink on mylar, 18 x 24 in. (45.7 x 61 cm) FG--C0060
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IVELISSE JIMENEZ, Archive Of Errors #11, 2021 painting over vinyl and canvas - mixed media, 20 x 20 in. (50.8 x 50.8 cm) IJ-0040
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CLEMENCIA LABIN, Cosido 18, 2014 Fabric collages filled with Polyester cotton and painted with acrylics. Sewn on textile or paper, 22 x 16 1/2 in. (56 x 42 cm) CL-C-0118
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ALEJANDRA PADILLA, Cuatro Modulos - Serie Papiros, 2001/10 collage on canvas, 57 1/8 x 9 7/8 in. (145 x 25 cm) PA-C-0040
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SILVIA RIVAS, Tiny Events- Uno, 2007 acrylic,graphite,impression on magnani paper, 18 1/8 x 18 1/8 in. (46 x 46 cm) RS-C-0053
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GRACIELA SACCO, El otro lado de la serie Tension Admisible, 2013 Heliography on Venetian blinds, 39 3/8 x 27 1/2 x 5 7/8 in. (100 x 70 x 15 cm) SG-C-0090
Participating artists: Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.
Close encounters of the new kind. Group exhibition.
Until January 31, 2024.
Diana Lowenstein Gallery. 326 NE 61st Street Miami, United States.
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The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
NEW NARRATIVES IN THE FOTO COLECTANIA COLLECTION IN MIAMI
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
AVAF IN MIAMI – AN INSTALLATION AT THE BASS
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
HURVIN ANDERSON’S LANDSCAPES AT PAMM
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
CRAIG ROBINS COLLECTION: THE SLEEP OF REASON
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
REFLECTIONS ABOUT THE PHYSICAL AND EMOTIONAL BODY AT EL ESPACIO 23
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.
PINTA: A SUCCESS STORY IN LATIN AMERICAN ART
Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.
CONNECTING WORLDS – PERUVIAN AMAZON AT PINTA MIAMI
To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.