ABRA GALLERY EXHIBITS PAINTINGS BY JUAN CARLOS PORTILLO IN 'IT WILL BE BETTER THAN YESTERDAY'
It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.
"Before social networks existed as containers and projectors of our lives, the relationship with our daily experiences was different. The images we saw, the sounds we heard, the things we touched, lived in our memory with a particular strength. Not having the means to preserve them, to carry them with us daily, we were looking for a way to memorize even the most intimate details of each experience, so our return to them was mediated by what we could remember over time. Understanding the traps that this entails: forget, change, fiction, transform. Memory is a chance, we remember and forget, we remember so as not to forget, we remember to live again, we remember to return". In this way, Paola Nava warns in the exhibition text about a game with the past and the present, and in it an inevitable journey
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
In this trip to the interior of a country that exists in his memories, Portillo paints his history to return, each stroke brings to the present impressions of that daily life that he now remembers, forgets and imagines; they are oil landscapes in which we move from the personal to the collective, from the local to the universal.
He re-inhabits the details, transforms the elements, movements and sounds that made up his sight. “In such a way, we could say that in the paintings of 'It will be better than yesterday' lies the very experience of a geological process, since in them layers of paint accumulate that the artist modifies, transforms and extracts like the sediments typical of a landscape”, adds Paola Nava.
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
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Por Juan Carlos Portillos para la exhibición “Será mejor que ayer” en Galería ABRA. Imágenes cortesía de ABRA
Juan Carlos Portillo (Valera, 1989) studied Visual Arts with a mention in Graphic Design at the University of Margarita (UNIMAR). He has exhibited in different group and solo shows at the national level, in addition to having exhibited his work in Spain, Germany, Hungary, United States, Colombia and Chile. During 2017, his video Looking For Horizons, made with artist Luis Mata, was selected for the Getty Research Institute's Video Art in Latin America project. He currently lives and works in Madrid, Spain.
“Será mejor que ayer” (It will be better than yesterday)
Until August, 8th
Galería ABRA
Av. Ávila con 8va transversal, Los Chorros,
Caracas, Venezuela
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“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
The works presented make use of and reference to the image as a channel, as a concept, as a medium. Migrating from one ontological level to another, Candeo highlights the way in which the contemporary world is built from immediate registers, multiple narratives, and memory models.
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The works presented make use of and reference to the image as a channel, as a concept, as a medium. Migrating from one ontological level to another, Candeo highlights the way in which the contemporary world is built from immediate registers, multiple narratives, and memory models.
Henríquez, Venezuelan artist based in Miami, sets up a psychographic landscape of mixed traits. In that territory there are no fixed coordinates, no preconceived ideas; just signs of an itinerary full of expectations, where the familiar and the strange cohabit. This new solo exhibition, curated by Felix Suazo, will encompass a selection of works made on fabric, paper, and wood between 2018 and 2021. The exhibition will take place at Laundromat Art Space.
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"THE COURSE OF THE WORK IS NOT DELIBERATE." INTERVIEW WITH JUAN HENRIQUEZ.
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
OdA ART GALLERY PRESENTS ITS OdE TO BLACK
“To suppress detail and enhance harmony. Let matter arise, the very essence that is born from dispossession. To print of solemnity on the simple. Discover pure sensitivity in form. It is the absence of light. It is background and also figure. This exhibition proposes an ode to works in black color, freeing them from all drama. The representation of each piece is evident through the simplicity in the composition with the predominance of the flat, forceful color. The works are not explained or thought, they are only expressed. From the most subtle to the effective and concrete. Abstractions and geometric shapes, silhouettes, human faces and organisms. Conditionings and prejudices are not relevant. It is a formal and aesthetic choice for each artist, challenging to see beyond this present and uncertain time." expresses Laura San Martín, founder and curator of the Buenos Aires-based gallery.
