ROLF ART PRESENTS AN ANTHOLOGICAL EXHIBITION OF ADRIANA LESTIDO'S WORK
The Argentine gallery Rolf Art presents the exhibition Donde todo empieza (Where it all begins) by Adriana Lestido, a key reference in Latin American photography.
The exhibition project brings together her most emblematic photographic essays and iconic works, consolidating in the gallery the beginning of her practice up to her last body of work, present in multiple institutions.
Adriana Lestido has dedicated the last 40 years to contemplate and capture without imposture the daily conflicts of the human being. From the feminine gaze or the notable masculine absence, with a direct and testimonial aesthetic, impelled by the vital force of the necessity that was gestated from her own experiences, the artist tries to understand from her own history, the others, those of nature and those of the world. Everything happens by itself. And in that happening, the artist searches to see something else.
The exhibition project gather together her essays and iconic works –Madre e Hija de Plaza de Mayo (Mother and Daughter of Plaza de Mayo, 1982); Mujeres Presas (Imprisoned Women, 1991-1993); a selection of Madres Adolescentes (Adolescent Mothers, 1988-1990); Madres e Hijas (Mothers and Daughters, 1995-1998); Metrópolis (1888-1999) and La Antártida (2012)– revealing the complex universe of essential bonds, showing their shades and complexities, as well as the feelings and emotions that summon, in their most honest and raw essence, light and darkness; the timeless game of existence captured with an unusual humanism and sensitivity.
“What makes Adriana Lestido’s work so unusual and mysterious is the nature of her (the photographer’s) presence. What we see happening – existing – she achieves as if she had not been there. No one gives the impression of being photographed. And yet, at the same time, each image has been chosen and conceived with so much love and compassion. Adriana is absolutely there, with that and those she is photographing, and yet she is not there at all!”. John Berger.
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Adriana Lestido. Madre e hija de Plaza de Mayo. Año 1982. Fotografía. Gelatina de plata sobre papel fibra. Dimensiones 21,7x 28 cm. | 8.5 x 11 in. Numeradas 15 + A/P
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Vistas de la exposición. Cortesía Rolf Art.
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Adriana Lestido. Madre e hija de Plaza de Mayo. Año 1982. Fotografía. Gelatina de plata sobre papel fibra. Dimensiones 21,7x 28 cm. | 8.5 x 11 in. Numeradas 15 + A/P
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Vistas de la exposición. Cortesía Rolf Art.
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Adriana Lestido. De la serie Mujeres presas. Sin título. Año 1991-1993. Dimensiones 24 x 16 / 50 x 33 cm. Gelatina de plata sobre papel fibra. Numeradas 15 + A/P.
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Vistas de la exposición. Cortesía Rolf Art.
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Adriana Lestido. De la serie Madres e hijas. Eugenia y Violeta. Año 1995-1998. Fotografía. Gelatina de plata sobre papel fibra Dimensiones 16 x 24,4 cm. Numeradas 15 + A/P
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Adriana Lestido. De la serie Metrópolis. Año 1985. Fotografía. Gelatina de plata sobre papel fibra. Dimensiones 20 x 27,5 cm.. Numeradas 15 + A/P
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Adriana Lestido. De la serie Antártida. Sin título (35). Año 2012. Fotografía. Gelatina de plata sobre papel fibra. Dimensiones 38,5 x 57,5 cm. Numeradas 10 + A/P
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Adriana Lestido. De la serie Mujeres presas. Sin título. Año 1991-1993. Dimensiones 24 x 16 / 50 x 33 cm. Gelatina de plata sobre papel fibra. Numeradas 15 + A/P
Adriana Lestido began her studies in photography in 1979, at the at the Avellaneda School of Audio-visual Arts. Between 1982 and 1995 she worked as a photojournalist for the newspaper La Voz, the Agency DyN and for the newspaper Página 12. Among numerous awards Lestido was the first Argentine photographer to receive the Guggenheim Grant-award (1995) and Hasselblad award (1991), and the Mother Jones award (1997). She received the prize to the trajectory (2021, National Academy of Fine Arts), Grand Acquisition Award of the National Photography Salon (2009), Lifetime Achievement Award (Argentine Association of Art Critics, 2009) and Outstanding Personality of Culture by the Legislature of CABA (2010), among others. She also was awarded with the Konex Award in 2002 and received the Konex Platino in 2022. She has made the photo-essays Antártida (Antarctic, 2012), México (2010), El amor (Love, 1992- 2005), Madres e hijas (Mothers and daughters, 1995-1998), Mujeres Presas (Imprisoned women, 1991-1993), Madres Adolescentes (Adolescent mothers, 1988- 1990) and Hospital Infanto Juvenil (Children ́s hospital, 1986-1988) & Metrópolis (1988-1999). She is the author of eight books. Her latest publication, Metrópolis (Ediciones Larivère / RM, Madrid, 2021), was selected as the best book at PhotoEspaña 2022 and for the Prix du Livre Arles 2022. She also published Antártida negra (Capital Intelectual, 2017), Antártida negra. The diaries (Tusquets, 2017), Lo Que Se Ve, Fotografías 1992/2005 (What Can Be Seen 1992/2005, published by Capital Intelectual, 2012), La Obra (The Work by Capital Intelectual, 2011), Interior (Capital Intelectual, 2010), Mothers and daughters (La Azotea Editorial, 2003, with the support of the John Simon Guggenheim Memorial Foundation) and Mujeres presas (Imprisoned Women, Argentine Photographers Collection, 1st edition 2001, 2nd edition 2008).
Donde todo empieza. Adriana Lestido.
Until September 29th, 2023.
Rolf Art. 1353 Esmeralda St., City of Buenos Aires, Argentina.
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Casa Equis Buenos Aires presented the solo exhibition of its co-founder Diego Beyró. Dando Vueltas (Making Turns) is a series of drawings made with BIC pen on canvas.
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The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
GREEN MANIFESTO AT THE BUENOS AIRES MODERN MUSEUM
The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
León Tovar was born in Bogotá, Colombia, and is a prominent curator, expert, and collector dedicated to promoting and disseminating Latin American art worldwide. He has curated numerous exhibitions and collaborated with important international museums and galleries.
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The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.
¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
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¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
PABLO VARGAS LUGO PRESENTS EXHIBITION AT THE MUSEUM OF ART AND HISTORY OF GUANAJUATO
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
Casa Equis Buenos Aires presented the solo exhibition of its co-founder Diego Beyró. Dando Vueltas (Making Turns) is a series of drawings made with BIC pen on canvas.
The CAYC Files is the first initiative organized as an integral part of a long-term partnership between the ICAA (International Center for the Arts of the Americas) of the Museum of Fine Arts, Houston, and the New York-based ISLAA (Institute for Studies on Latin American Art).
NEW DIGITIZATION PROJECT FOR THE CAYC FILES
The CAYC Files is the first initiative organized as an integral part of a long-term partnership between the ICAA (International Center for the Arts of the Americas) of the Museum of Fine Arts, Houston, and the New York-based ISLAA (Institute for Studies on Latin American Art).
The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
GREEN MANIFESTO AT THE BUENOS AIRES MODERN MUSEUM
The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
León Tovar was born in Bogotá, Colombia, and is a prominent curator, expert, and collector dedicated to promoting and disseminating Latin American art worldwide. He has curated numerous exhibitions and collaborated with important international museums and galleries.
INTERVIEW WITH LEÓN TOVAR: TRAJECTORY AND VISION OF AN OUTSTANDING ART DEALER
León Tovar was born in Bogotá, Colombia, and is a prominent curator, expert, and collector dedicated to promoting and disseminating Latin American art worldwide. He has curated numerous exhibitions and collaborated with important international museums and galleries.
The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.
MALBA PRESENTS AN EXHIBITION ON SPIRITUALITY
The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.
¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
A VINDICATION TO OFFICES: AMALIA PICA AT THE JUMEX MUSEUM
¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
PABLO VARGAS LUGO PRESENTS EXHIBITION AT THE MUSEUM OF ART AND HISTORY OF GUANAJUATO
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
ANA GALLARDO AT MAMBO: THE JULIUS BAER AWARD EXHIBITION
(Te busco en otro nombre). Bitácora guatemalteca 1987/2023 [(I'm looking for you in another name). Guatemalan Journal 1987/2023] is the winning project of the second edition of the Julius Baer Prize for Latin American women artists. The winner Ana Gallardo, together with María Us, presents the exhibition at the Museo de Arte Moderno de Bogotá (MAMBO).
Casa Equis Buenos Aires presented the solo exhibition of its co-founder Diego Beyró. Dando Vueltas (Making Turns) is a series of drawings made with BIC pen on canvas.
The CAYC Files is the first initiative organized as an integral part of a long-term partnership between the ICAA (International Center for the Arts of the Americas) of the Museum of Fine Arts, Houston, and the New York-based ISLAA (Institute for Studies on Latin American Art).
NEW DIGITIZATION PROJECT FOR THE CAYC FILES
The CAYC Files is the first initiative organized as an integral part of a long-term partnership between the ICAA (International Center for the Arts of the Americas) of the Museum of Fine Arts, Houston, and the New York-based ISLAA (Institute for Studies on Latin American Art).
The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
GREEN MANIFESTO AT THE BUENOS AIRES MODERN MUSEUM
The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.
León Tovar was born in Bogotá, Colombia, and is a prominent curator, expert, and collector dedicated to promoting and disseminating Latin American art worldwide. He has curated numerous exhibitions and collaborated with important international museums and galleries.
INTERVIEW WITH LEÓN TOVAR: TRAJECTORY AND VISION OF AN OUTSTANDING ART DEALER
León Tovar was born in Bogotá, Colombia, and is a prominent curator, expert, and collector dedicated to promoting and disseminating Latin American art worldwide. He has curated numerous exhibitions and collaborated with important international museums and galleries.
The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.
MALBA PRESENTS AN EXHIBITION ON SPIRITUALITY
The Museo de Arte Latinoamericano de Buenos Aires (MALBA) opens Luz y Fuerza (Light and Strength), an exhibition that brings together nineteen contemporary Argentinean artists whose works revolve around spirituality.
¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
A VINDICATION TO OFFICES: AMALIA PICA AT THE JUMEX MUSEUM
¡Qué viva el papeleo! (Long live paperwork!) is Amalia Pica's exhibition at the Museo Jumex that deals with office culture and focuses on finding pleasure and the potential for playing within the tedious processes of paperwork.
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
PABLO VARGAS LUGO PRESENTS EXHIBITION AT THE MUSEUM OF ART AND HISTORY OF GUANAJUATO
The Museum of Art and History of Guanajuato presents the artist Pablo Vargas Lugo in Exceso solar (Solar Excess). It is curated by Cuauhtémoc Medina.
