TECHNOLOGY AND IMAGINATION: GUILLERMO GARCÍA-CRUZ IN MIAMI

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The Watermill Center’s Artist Residency is accepting applications for the 2026 year-round program, open to international artists 21+ years of age of all art disciplines. Deadline to apply: January 15, 2025.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The Watermill Center’s Artist Residency is accepting applications for the 2026 year-round program, open to international artists 21+ years of age of all art disciplines. Deadline to apply: January 15, 2025.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The Watermill Center’s Artist Residency is accepting applications for the 2026 year-round program, open to international artists 21+ years of age of all art disciplines. Deadline to apply: January 15, 2025.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The Watermill Center’s Artist Residency is accepting applications for the 2026 year-round program, open to international artists 21+ years of age of all art disciplines. Deadline to apply: January 15, 2025.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

The Met’s bold new vision for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing –to be opened at 2030, presenting Modern and Contemporary art– is designed by Mexican architect Frida Escobedo, the first woman to design a new wing in the Museum’s 154-year history.

The Watermill Center’s Artist Residency is accepting applications for the 2026 year-round program, open to international artists 21+ years of age of all art disciplines. Deadline to apply: January 15, 2025.

The sculpture Mariposa de la vida (Butterfly of life), created by the Uruguayan sculptor Pablo Atchugarry, was recently delivered to the Municipality of Maldonado; made of stainless steel, the work is 11.8 meters high and weighs approximately 30 tons.