FRIEZE NEW YORK 2024 – A VIEW FROM THE FLOOR
With the opening of Frieze NY last Wednesday, the NY Contemporary sales season has kicked off (if it ever truly stops!). From now until mid-May, it's a whirlwind of fairs and gallery openings, culminating in the grand auctions. May is a crucial time for the US art market calendar and the results will have global repercussion for the remainder of the year.
This edition marks the fourth year at The Shed, the futuristic edifice in midtown—a stark departure from the tents of Randall's Island. Despite critiques of the venue's limitations, it offers distinct advantages. While it may feel a bit cramped, its central location and limited space foster a manageable number of galleries. Another aspect I like about Frieze being at The Shed is its proximity to the many Chelsea galleries. This convenient location, made even more enjoyable by strolling the High Line, allows for easy access to a plethora of new and enticing shows, which this year sees the addition of two other fairs in the area: NADA and 1-54. I found the latter particularly intriguing, boasting a strong selection of African and African diaspora artists.
Returning to Frieze, it's important to highlight that more than half of the fair's 68 exhibitors have permanent galleries in the city, using the fair as a temporary local space with fabulous foot traffic. The art on view offered a diverse mix of styles, predominantly paintings, with a blend of figuration, abstraction, and the now-ubiquitous figurative abstraction, featuring both new and established names. While many galleries chose to showcase a selection of artists, others opted for solo presentations, which, from an aesthetic standpoint, were the most eye-catching. Notably, Gagosian's booth stood out with four new monumental abstract works by Sterling Ruby, exuding immense power. Situated in a prime location with ample wall space and bathed in natural light, these works commanded attention. Priced at $550,000 each, two of them sold during the preview day and by the end of the fair all four were placed with important collectors. Galleries coming from abroad tend to be more cautious due to higher costs such as expensive shipping and accommodation. Consequently, they often opt not to risk solo shows but instead exhibit various artists—a safer bet in challenging economic climates. Additionally, in this edition some dealers have collaborated to share space and costs, indicating how they strive to strike a balance between the high expenses of participating in a fair and the advantages in terms of sales and networking opportunities it offers. In this regard, Frieze NY serves as an excellent platform not only for connecting with collectors but also, crucially, for showcasing artists to curators, many of whom are based in the city, making it incredibly convenient for them to attend the fair. Furthermore, the fair garners significant international attention, as evidenced by the attendance of 135 local and institutional museum groups this year. In total the fair received near 25,000 visitors from 66 countries during its five-day run.
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Gagosian, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Gagosian, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Mendes Wood DM, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Gagosian, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
The fair floor structure also mirrors the art ecosystem, albeit in an inverted pyramid. At ground level, the mega and globally recognized galleries bask in a soft, natural filtered light, while as you move up, the names become less globally prominent but still significant.
Regarding price levels, they ranged from $6,500 for works by Holly Hendry at Stephen Friedman Gallery to the $2 million for pieces by Robert Rauschenberg presented by Thaddeus Ropac, encompassing a broad spectrum in between. Notably, the highest reported price was achieved by White Cube for a poignant work by Colombian artist Doris Salcedo titled "Disremembered XIV”.
The fair boasted a significant presence of Latin American galleries., ranging from the well-established Mexican Kurimanzutto to the burgeoning Guatemala-based Proyectos Ultravioleta. In the Focus section, dedicated to galleries under 12 years old, each showcasing a solo presentation, Brazilian gallery "Central Galeria" featured a captivating solo show by Brazilian Indigenous painter Carmézia Emiliano with paintings ranging from $18,000-$32,000. They declared to have sold seven paintings with several more on reserve. Although the artist is not represented in the Venice Biennale, she recently concluded a solo exhibition at the Museu de Arte de São Paulo (MASP), where Adriano Pedrosa—this year's Biennale curator—has served as artistic director since 2014. This observation is particularly noteworthy, as many galleries at Frieze are concurrently representing artists exhibiting in Venice. Other notable works at the fair include those by Latin American artists, many of whom are women. Artists such as Sonia Gomes and Marina Perez Simão (Mendes Wood), Beatriz Milhazes and Valeska Soares (Fortes D’Aloia & Gabriel), and Vivian Suter (Proyectos Ultravioleta) showcased captivating pieces. Ortuzar Projects, while a New York gallery, boasts a strong contingent of Latinx artists and artists from the Spanish-speaking world. Their booth featured textile works by the late Paraguayan artist Feliciano Centurión, whose collaged blankets—referred to as "frazadas"—feature embroidered personal texts and found items related to his AIDS diagnosis, tapping into a growing interest among curators, dealers, and collectors in textile-based artists deserving of career re-evaluations.
The Venice effect permeates the fair at all levels. This is evident in Alex Katz's striking solo exhibition with Gladstone, featuring paintings from the same new series currently on view at Fondazione Giorgio Cini in Venice. Additionally, Perrotin's sell-out display of paintings and sculptures by Lee Bae, a South Korean artist known for his involvement in the Dansaekhwa ('monochrome painting') movement, further highlights this influence, with Lee currently having a solo exhibition at an official collateral event at the Venice Biennale.
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Mendes Wood DM, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Mendes Wood DM, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Central Galeria, Special Mention, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
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Proyectos Ultravioleta, Frieze New York 2024. Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.
Frieze week extends beyond the fair itself, encompassing numerous other fairs and gallery openings, all capitalizing on the influx of collectors, curators, and art enthusiasts in town. This week, however, there seemed to be fewer international collectors. It's possible they might arrive next week or, more likely, for the major auction sales. This raises an interesting point about the purpose of fairs like Frieze—isn't the idea to have editions in various regions to bring the art closer to the locals, rather than requiring collectors and professionals to traverse the globe for the never-ending succession of events?
According to a study by Clare McAndrew and Independent, in 2019 the United States represented 44% of the global art market. Within the US, New York dominated with a remarkable 90% share of art sales, signifying that the city contributes around 40% to the worldwide art trade. Additionally, the study highlighted that New York is home to some of the largest auction houses and dealer businesses globally, while also serving as the residence of many of the world’s top art collectors, with an estimated 1,500 individuals collecting at the very highest level residing in the city. These findings underscore why so many fairs are drawn to New York and why numerous galleries choose to establish a presence in the city. Hauser and Wirth’s president, Marc Payot, emphasized Frieze New York's significance, stating “once again, Frieze New York confirms New York is the center of the global art market”.
Amidst widespread speculation about the market's trajectory, New York Frieze week heralded a promising start, marked by good sales reports across many galleries with several reporting sold out booths. However, it's crucial to recognize that these figures stem from self-reported dealer data, providing only a glimpse into the larger landscape. The true pulse of the market will only be revealed during the imminent major auctions in a mere fortnight, promising a more nuanced and comprehensive assessment of its current state.
May interest you
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
CHAOS THEORY AT THE GUGGENHEIM BILBAO
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
AMALIA MESA-BAINS: ARCHAEOLOGY OF MEMORY
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
LEONORA CARRINGTON'S BID FOR LATIN AMERICAN RECORD
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
VIRGINIA JARAMILLO’S WORK IN THE MUSEUM OF CONTEMPORARY ART CHICAGO
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
OPEN CALL FOR ARTIST-IN-RESIDENCY PROGRAM 2025
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
A BUYER’S MARKET: OPPORTUNITIES AMID UNCERTAINTY
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
ART MARKET: NEW SECTION AT ARTE AL DÍA
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
THE PRICE OF ART: BEYOND THE MILLION-DOLLAR HYPE
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
CHAOS THEORY AT THE GUGGENHEIM BILBAO
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
AMALIA MESA-BAINS: ARCHAEOLOGY OF MEMORY
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
LEONORA CARRINGTON'S BID FOR LATIN AMERICAN RECORD
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
VIRGINIA JARAMILLO’S WORK IN THE MUSEUM OF CONTEMPORARY ART CHICAGO
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
OPEN CALL FOR ARTIST-IN-RESIDENCY PROGRAM 2025
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
A BUYER’S MARKET: OPPORTUNITIES AMID UNCERTAINTY
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
ART MARKET: NEW SECTION AT ARTE AL DÍA
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
THE PRICE OF ART: BEYOND THE MILLION-DOLLAR HYPE
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
CHAOS THEORY AT THE GUGGENHEIM BILBAO
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
AMALIA MESA-BAINS: ARCHAEOLOGY OF MEMORY
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
LEONORA CARRINGTON'S BID FOR LATIN AMERICAN RECORD
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
VIRGINIA JARAMILLO’S WORK IN THE MUSEUM OF CONTEMPORARY ART CHICAGO
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
OPEN CALL FOR ARTIST-IN-RESIDENCY PROGRAM 2025
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
A BUYER’S MARKET: OPPORTUNITIES AMID UNCERTAINTY
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
ART MARKET: NEW SECTION AT ARTE AL DÍA
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
THE PRICE OF ART: BEYOND THE MILLION-DOLLAR HYPE
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
CHAOS THEORY AT THE GUGGENHEIM BILBAO
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
AMALIA MESA-BAINS: ARCHAEOLOGY OF MEMORY
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
LEONORA CARRINGTON'S BID FOR LATIN AMERICAN RECORD
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
VIRGINIA JARAMILLO’S WORK IN THE MUSEUM OF CONTEMPORARY ART CHICAGO
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
OPEN CALL FOR ARTIST-IN-RESIDENCY PROGRAM 2025
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
A BUYER’S MARKET: OPPORTUNITIES AMID UNCERTAINTY
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
ART MARKET: NEW SECTION AT ARTE AL DÍA
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
THE PRICE OF ART: BEYOND THE MILLION-DOLLAR HYPE
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
BIENNALE UNVEILED: GLOBAL EXHIBITION AND COMMERCE OPPORTUNITIES.
Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
JULIA ISÍDREZ AND THE GLOBAL SOUTH AT THE 60TH VENICE BIENNIAL
A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
CHAOS THEORY AT THE GUGGENHEIM BILBAO
The Guggenheim Museum Bilbao presents Metahaven. Chaos Theory. This is the first exhibition of the year in the Film & Video room, a space that the Museum dedicates entirely to video art, audiovisual installation and moving image as artistic languages, and which celebrates its tenth anniversary in 2024.
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
LA CHOLA POBLETE WAS AWARDED AT THE VENICE BIENNIAL
Argentine artist La Chola Poblete received a special mention at the Venice Biennale 2024, selected together with artist Samia Halaby.
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
AMALIA MESA-BAINS: ARCHAEOLOGY OF MEMORY
El Museo del Barrio presented the exhibition Amalia Mesa-Bains: Archaeology of Memory, the first retrospective exhibition by the pioneering artist, curator, and theorist. Born in 1943 to a Mexican immigrant family, Mesa-Bains has been a leading figure in Chicanx art for nearly half a century.
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
LEONORA CARRINGTON'S BID FOR LATIN AMERICAN RECORD
Leonora Carrington’s painting "Les Distractions de Dagobert" (1945), valued between $12 to $18 million, is generating considerable excitement as it heads to auction at Sotheby's this May. Having been in an American collection since 1995, its upcoming sale not only reflects the escalating market demand for Carrington's pieces but also underscores the rising interest in female Surrealist artists.
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
MALTA PAVILION AT THE VENICE BIENNALE 2024
Malta’s pavilion at the 60th Venice Biennale presented artist Matthew Attard’s solo project, I Will Follow the Ship. Curated by Elyse Tonna and Sara Dolfi Agostini.
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
VIRGINIA JARAMILLO’S WORK IN THE MUSEUM OF CONTEMPORARY ART CHICAGO
The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
TRÁMITES: PROTOCOLS AND STRATEGIES TO EXIST IN EMERGENCIES
On Thursday, April 18, 2024, the exhibition project Trámites, a duo-show by visual artists Yéssica Montero (1998, Dominican Republic) and Ernesto Rivera (1983, Dominican Republic), opened at the independent spaces of La Sociedad, in Santo Domingo.
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
ENRIQUE BOSTELMANN: APERTURES AND BORDERSCAPES
The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
OPEN CALL FOR ARTIST-IN-RESIDENCY PROGRAM 2025
Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30th, 2024.
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
A BUYER’S MARKET: OPPORTUNITIES AMID UNCERTAINTY
Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
ART MARKET: NEW SECTION AT ARTE AL DÍA
It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
THE PRICE OF ART: BEYOND THE MILLION-DOLLAR HYPE
The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography
