News

During yesterday and today afternoon, with the purpose of celebrating the UTDT 2018 Film Program held at the Torcuato Ditella University (Buenos Aires, Argentina), Con la vista nublada no se ve nada (With a cloudy sight nothing is seen) is a collective exhibition where the program participants project and exhibit the work during the year. Also, works of artists invited to the 2018 edition and previous years are exhibited.

At Diablo Rosso think tank and art space located in the center of Panama City in Panama, the Costa Rican artist Fabrizio Arritea (Costa Rica, 1982) presents since December 1^st La Tierra era Plana (The Earth Was Flat), an individual exhibition that explores the meaning production generated by social media and their effects over people acting or thinking.

In order to celebrate the opening of its second space in Miami, Florida, Pablo Atchugarry Foundation (Uruguay) presents a retrospective exhibition of the Uruguayan artist José Pedro Costigliolo (1902-1985). Forerunner of non-figurative art, Costigliolo's contribution to geometric abstraction development -movement emerged mainly in Latin America- has been recognized internationally. Raised as a retrospective that explores the changes and evolutions of the Uruguayan artist, La Vida de las Formas (The Life of The Forms) opens the foundation new headquarters at Miami on December 29.

From December 14^th to February 21^st at Sala Gasco Contemporary Art, in Santiago de Chile, the artists Jorge Brantmayer, Víctor Castillo, Catalina González, Angie Saiz and Joaquín Segura present Postrauma. Under Saiz curatorship the exhibition aims to illustrate the multiple expressions after traumatic experiences.

In addition to Clorindo Testa’s individual exhibition the Fine Arts National Museum (MNBA) of Buenos Aires (Argentina) inaugurates En Tránsito. Fotografías de la colección del Museo Nacional de Bellas Artes (In Transit. Photographs from the Fine Arts National Museum collection). After passing through Córdoba and Mendoza provinces, the photographs of Henri Cartier Bresson, Graciela Iturbide and Sara Facio, among other renowned artists who make up the MNBA collection, will be exhibited since tomorrow on the second floor of the museum.

Tomorrow at the Jumex Museum, the North American artist Michael Smith presents ¡Imagina la vista desde aquí! (¡Imagine the view from here!), an exhibition that represents aging, failure and enthusiasm based on the aspirational construction of corporate and institutional culture.

On December 11^th, at the Fine Arts National Museum (MNBA) of Beuenos Aires (Argentina), inaugurates an exhaustive exhibition of Italian-Argentinean plastic artist and architect, Clorindo Testa. Bringing together artworks from 1968 onwards the aim of the exhibition is to pay tribute to one of the most important figures of the Argentinean 20th century, his work and legacy in the South American country.

In the framework of Art Basel Miami, Doral government inaugurated yesterday the Urban Art Project for pedestrians Pedestriart conceived by Cuban artist Leonel Matheu. Stimulating the awareness of pedestrians through iconographies, the project aims to represent traffic signals from their shapes and color coding. With the inauguration at Downtown Doral Park yesterday afternoon the installation proposes a creative and interactive experience for the community.

Inaugurated on November 13^th, the New York gallery Kurimanzutto presents Signals: If You Like I Shall Grow (Part II), a collective exhibition that brings together the work of artists such as David Medal, Mira Schendel, Alejandro Otero, Jesus Rafael Soto, Sergio de Camargo , Lygia Clark and Liliane Lijn, among others. On exhibition until January 21^st, the show commemorates the innovative spirit of the consecrated Signals London gallery (1964-1966).

The Artbook Editions, Unlimited-Limited  # 6, print by Antoni Miralda, New World Foods lighting the Old World pays homage to the creative community that frequented El Internacional Tapas Bar & Restaurant, the now legendary postmodern restaurant which the artist launched in Tribeca with Chef Montse Guillén in 1984. El Internacional combined avant-garde artistry and food, becoming an iconic symbol of New York in the 1980s through its nightly explorations of cross-cultural, trans-disciplinary aesthetics.

The Chilean AMA Foundation, better known as FAMA, donated to New York’s Museum of Modern Art (MoMA) Ocean, 33 ° 02'47 "S / 51 ° 04'00" N, the Chilean artist Enrique Ramírez artwork. The reason for the donation is the celebration of the tenth anniversary of the foundation.

At Henrique Faria Gallery of Buenos Aires, the artist and curator Osvaldo Romberg (Buenos Aires, 1938) presents Estudios de color: Del análisis a la metáfora (Color Studies: From analysis to metaphor). Product of a formal search during a specific period of the Argentine artist, the exhibition exhibited at the gallery located in Retiro neighborhood joins together more than fifteen exceptional artworks of Romberg's career.

At the HACHE gallery in Buenos Aires, an individual exhibition by Diego Figueroa inaugurated. Mi Reina (My Queen) is the first exhibition of the Argentine artist exhibited in the gallery. From intertextualities with canonical works of art history, Figueroa wanders between the "legitimate" concept –introduced by the French thinker Pierre Bourdieu- and the popular.

Within the framework of the tenth SIART International Art Biennial, in Bolivia, which ends tomorrow, the artist Sonia Cunliffe represented Peru with the El Guerrillero Heroíco project. Through the archival photography and the appropriation of objects, the Peruvian artist reconstructs the revolutionary political scene in Latin America after the Cuban revolution.

Supported by Christopher Grimes Projects, large-scale artistic and architectural projects promoter organization, the artist Iñigo Manglano-Ovalle (Madrid, 1961) completed a site-specific installation at the Texas A&M College of Engineering at to inaugurate the new program of art in said institution.

At the Modern Art Museum of Buenos Aires (MAMBA), an individual exhibition of Argentine artist Mercedes Azpilicueta is exhibited until 3^rd of March. Through video installations and sound pieces, Cuerpos Pájaros (Birds Bodies) explores the hidden resources of expression: gestures, breathing and tone.

As a closing of what was Escuela Flora 2018 program, FLORA ars + natura opens its doors with The Cat is Killing the Birds, but I Love her Anyway collective exhibition. After a collective exchange carried out in the Bogota (Colombia) headquarters, more than twenty Latin American artists exhibit their work.

Under Ariel Jimenez curatorship, the Juan Carlos Maldonado Art Collection (JCMAC) presents Convergences / Divergences, Primitve Source of The Modern. The exhibition opens on Friday, November 30 - within the framework of  Miami’s art week - in the Miami Design District Center of the organization and will take place until May 4th, 2019.

With a collective exhibition titled This is Brazil, the prestigious Galeria Murilo Castro Gallery inaugurated its new space based in Miami. The expansion not only means an opening to the international market, but also as the positioning as a one of the most important galleries in Brazil.

This afternoon at the Museum of Latin American Art of Buenos Aires (MALBA) auditorium, under the exhibition curator Jimena Ferreiro’s and Rafael Cippolini’s tutelage inaugurates Pablo Suárez. Narciso Plebeyo. Constituted as a huge retrospective of the South American artist Pablo Suárez (Buenos Aires, 1937-2006), the exhibition will be exhibited in the museum until February 18^th.

Within the framework of the collective exhibition Lydia Cabrera and Édouard Glissant: Trembling Thinking opened in October at the America Society / Council of the Americas (ASCOA) gallery, the artists Tania Bruguera and Hans Ulrich Obrist will carry out a discussion that will revolve around it.

In the framework of the 2018 Ciudad Pantalla Festival, Die Ecke Arte Contemporáni Chilean gallery announces its participation with Nicolás Rupcich video art CHEPU. On exhibition until January 25^th, the festival inaugurates tomorrow as part of the LOOP Barcelona Fair.

Until March 10^th, at Buenos Aires Museum Modern Art,Nicolás Mastracchio’ssolo show Pulso is presented. With artworks hanging from the ceiling, the Argentine artist creates an ecosystem where the viewer turns his entire body to space.

Until December 10^th, at TEORéTica space, Ejercicios de Autonomía (Autonomy Exercises) collective exhibition of Costa Rican artists Priscilla Monge and Victoria Cabezas is presented. Under the curatorship of Miguel Ángel López the works of each one are opposed in a constant symbolic confrontation.

To close its 2018 program, Galería Leme presents an individual exhibition by Mauro Piva (Rio de Janeiro, 1977). Bringing together the most recent productions of the Brazilian artist, the space of the gallery is intervened by six paintings, eight sculptures and a large scale site-specific installation.

Until December 2^nd at the Jumex Museum in Mexico Los robots no lloran,(Robots don’t cry)  unprecedented exhibition produced by Mexican artist Pedro Reyes is presented. As a "puppet artwork", the play is a dialogue performed by puppets representing contemporary public figures such as Noam Chomsky, Karl Marx, Elon Mus, Ayn Ran and Donald Trump.

Tony Bechara, El Museo del Barrio's esteemed Chair Emeritus of the Board of Trustees, has made a gift of one million dollars to support the museum's growing curatorial and education programs, as well as its endowment.

At the Bombas Gens Centre d’Art in Valencia, inaugurates tomorrow a solo show by the Norwegian artist Anna-Eva Bergman (1909-1987). Under the curatorship of Nuria Enguita and Christine Lamonthe, Fom North to South, Rythmswill be open to the public until May 2019 in the Spanish cultural center.

Until January 13^th at Estancia FEMSA and Casa Luis Barragán an individual exhibition of the renowned Danish artist Danh Vo (Bà Rịa, Vietnam, 1975) is presented. Constructed by pieces and interventions created especially for this venue, Jardín con palomas al vuelo (Garden with pigeons) explores the architecture and the life of the objects and people who have inhabited Casa Luis Barragán a long it’s history.

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. The exhibition will be open until April 14^th.