ON THE EDGE OF VISIBILITY: AN INTERNATIONAL SYMPOSIUM
Focused on Black and Indigenous women and non-binary artists, On the edge of visibility – An international Symposium will focus on photographic practices within three broad geographical zones: Latin American, the Caribbean, and the United States.
Scheduled for October 19th and 20th, the symposium is hosted by AWARE: Archives of Women Artists, Research and Exhibitions; Women Photographers International Archive (WOPHA); and Pérez Art Museum Miami (PAMM). On the edge of visibility offers a transcontinental approach and encompasses postcolonial, feminist, and queer perspectives. Topics discussed will consider the concerns and complexities of defining what it means to be a Black or Indigenous woman artist within different cultural settings. It also constitutes a reflection on past and current modes of knowledge creation.
Section One | Fractals of Invisibility
Questions the historical and structural reasons for the exclusion of Black and Indigenous women and non-binary artists from art historical narratives. It examines invisibility as an intersectional phenomenon rooted in colonial and contemporary history.
Section Two | Politics of Visibility
Examines what strategies are effective in gaining institutional recognition and achieving socio-political goals. This section simultaneously questions the creation and replication of stereotyped representations of these artists within the dominant discourse.
Section Three | Poetics of Opacity
Focuses on the notion of opacity, as theorized by philosopher and poet Edouard Glissant, understood as an impenetrable alterity that cannot be possessed, an epistemological notion that grants everyone the right to keep their psycho-cultural selves.
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Julia Chambi, Girl from Chinchero, Cusco (Niña de Chinchero, Cusco). Cusco, Perú. Meri Chambi Collection. Courtesy Claudia Holgado.
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Julia Chambi, Girl from Chinchero, Cusco (Niña de Chinchero, Cusco). Cusco, Perú. Meri Chambi Collection. Courtesy Claudia Holgado.
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JUANA VALDÉS’ HISTORICAL AND PERSONAL NARRATIVES AT SARASOTA ART MUSEUM
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
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The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
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Artist Daniel Santoro proposes an immersive experience at the Museo de Bellas Artes in Argentina with an unpublished 30-meter-long work, plus a series of ink works and a charcoal drawing on one of the walls of the second-floor hall.
DANIEL SANTORO PRESENTS A DYSTOPIAN PANORAMA OF REALITY
Artist Daniel Santoro proposes an immersive experience at the Museo de Bellas Artes in Argentina with an unpublished 30-meter-long work, plus a series of ink works and a charcoal drawing on one of the walls of the second-floor hall.
Contemporary Arts Center in Cincinatti, United States (CAC) celebrates the 20th anniversary of its Zaha Hadid-designed building with the exhibition A Permanent Nostalgia for Departure: A Rehearsal on Legacy with Zaha Hadid.
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Contemporary Arts Center in Cincinatti, United States (CAC) celebrates the 20th anniversary of its Zaha Hadid-designed building with the exhibition A Permanent Nostalgia for Departure: A Rehearsal on Legacy with Zaha Hadid.
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Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.
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Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin at SITE Santa Fe. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach.
The MacArthur Fellowship program announced the 2023 participants selection.
MACARTHUR FELLOWS FOR THE 2023 PROGRAM EDITION
The MacArthur Fellowship program announced the 2023 participants selection.
The Brooklyn Museum and the Joe and Clara Tsai Foundation’s Social Justice Fund Launch the Brooklyn Arts Leadership Collaborative. The Collaborative aims to boost Brooklyn’s arts and culture ecosystem by supporting programs and leadership development in eight BIPOC-led organizations.
BROOKLYN ARTS LEADERSHIP COLLABORATIVE: A NEW PROGRAM TO SUPPORT BIPOC-LED ARTS ORGANIZATIONS
The Brooklyn Museum and the Joe and Clara Tsai Foundation’s Social Justice Fund Launch the Brooklyn Arts Leadership Collaborative. The Collaborative aims to boost Brooklyn’s arts and culture ecosystem by supporting programs and leadership development in eight BIPOC-led organizations.
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
JUANA VALDÉS’ HISTORICAL AND PERSONAL NARRATIVES AT SARASOTA ART MUSEUM
The artist’s first solo museum exhibition presents selected works from throughout her 30-year career and explores the history of migration between the Caribbean and the United States, gender, race, and the representation of the female body.
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
A COLLECTIVE EXHIBITION AT FUNDACIÓN PABLO ATCHUGARRY
The55project announced the opening of the Collective Show, curated by Josué Mattos at Fundación Pablo Atchugarry.
