FREDDY RODRÍGUEZ ENTERS THE PERMANENT COLLECTION OF THE WHITNEY MUSEUM OF AMERICAN ART
His painting Y me quedé sin nombre (1974) is the first work by a Dominican-born New York artist to be acquired by the museum.
In his vibrant and masterfully layered paintings and collages, Rodríguez fuses conceptual and stylistic elements from New York School painting with Dominican history, Caribbean culture, and transnational issues. His work addresses salient social and political concerns including the conquest and colonization of native people, racial discrimination, religion, and contemporary transnational experience.
Born in 1945 in Santiago de los Caballeros, Dominican Republic, Rodríguez moved to New York City in 1963 after fleeing Rafael Trujillo’s dictatorship (1930-1961), a period marked by severe social and political upheaval. In 1961, Trujillo’s three-decade-long dictatorship ended with his assassination, following several years of political turmoil, and later culminating with the 1965 Civil War. Being drafted into the U.S. army in 1966, Rodríguez resided between the Dominican Republic and Puerto Rico before settling again permanently in New York City in 1968. There he proceeded to study painting at the New School for Social Research, and textile design at the Fashion Institute of Technology. Living and working between Greenwich Village, West Village, Chelsea, and Williamsburg during the seventies and eighties, the artist explores the relationship between personal narratives and collective memory in Latinx communities.
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The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
THE MUSICAL BRAIN - GROUP EXHIBITION AT NEW YORK’S HIGH LINE
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
MoMA PRESENTS FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY FROM 1946 TO 1964
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
THE MUSICAL BRAIN - GROUP EXHIBITION AT NEW YORK’S HIGH LINE
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
MoMA PRESENTS FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY FROM 1946 TO 1964
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
THE MUSICAL BRAIN - GROUP EXHIBITION AT NEW YORK’S HIGH LINE
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
MoMA PRESENTS FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY FROM 1946 TO 1964
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
THE MUSICAL BRAIN - GROUP EXHIBITION AT NEW YORK’S HIGH LINE
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
MoMA PRESENTS FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY FROM 1946 TO 1964
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
NEW APPOINTMENTS FOR MARCELA GUERRERO AND RUJEKO HOCKLEY AT THE WHITNEY MUSEUM
The Whitney Museum of American Art at New York announces that assistant curators Marcela Guerrero and Rujeko Hockley have been promoted to newly endowed positions. Guerrero has been appointed the Jennifer Rubio Associate Curator and Rujeko Hockley will assume the role of Arnhold Associate Curator, both effective July 1.
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
THE MUSICAL BRAIN - GROUP EXHIBITION AT NEW YORK’S HIGH LINE
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes throughout the park. Organized by High Line Art and Cecilia Alemani.
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
MoMA PRESENTS FOTOCLUBISMO: BRAZILIAN MODERNIST PHOTOGRAPHY FROM 1946 TO 1964
The exhibition explores the unforgettable creative achievements of São Paulo’s Foto-Cine Clube Bandeirante (FCCB), a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. Although their work was heralded around the world in the 1950s, it subsequently faded from view. This is the first museum exhibition to present this fascinating moment in photography’s history to audiences outside of Brazil.
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
SAMMER GALLERY - VIRGILIO VILLALBA’S ESTATE REPRESENTATION AND ART PARIS EXHIBITION
As the gallery announces exclusive worldwide representation of Villalba, it also presents the artist’s first solo exhibition since his death in 2009. Set for Art Paris 2021, the gallery will exhibit Villalbas’s 1960-1970 works under the title of Le réalisme de l’aliénation (The Realism of Alienation ) and curated by Manuel Neves.
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.