QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM

Rolf Art presented Marcelo Brodsky's exhibition MARTIRIO, in collaboration with artists Fernando Bryce, Martín Kovensky and Fredi Casco; supported by a research and conceptual approach by José Emilio Burucúa and Carles Guerra.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

Lehmann Maupin presented Astral Sea, an exhibition of new work by New York-based artist Teresita Fernández. Featuring a series of glazed ceramic pieces and new sculptural paper panels, Astral Sea extends the artist’s interests in the confluence points of the cosmos, land, and water, as seen through the lens of an embodied sculptural landscape.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

Rolf Art presented Marcelo Brodsky's exhibition MARTIRIO, in collaboration with artists Fernando Bryce, Martín Kovensky and Fredi Casco; supported by a research and conceptual approach by José Emilio Burucúa and Carles Guerra.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

Lehmann Maupin presented Astral Sea, an exhibition of new work by New York-based artist Teresita Fernández. Featuring a series of glazed ceramic pieces and new sculptural paper panels, Astral Sea extends the artist’s interests in the confluence points of the cosmos, land, and water, as seen through the lens of an embodied sculptural landscape.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

Lehmann Maupin presented Astral Sea, an exhibition of new work by New York-based artist Teresita Fernández. Featuring a series of glazed ceramic pieces and new sculptural paper panels, Astral Sea extends the artist’s interests in the confluence points of the cosmos, land, and water, as seen through the lens of an embodied sculptural landscape.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

Rolf Art presented Marcelo Brodsky's exhibition MARTIRIO, in collaboration with artists Fernando Bryce, Martín Kovensky and Fredi Casco; supported by a research and conceptual approach by José Emilio Burucúa and Carles Guerra.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

Lehmann Maupin presented Astral Sea, an exhibition of new work by New York-based artist Teresita Fernández. Featuring a series of glazed ceramic pieces and new sculptural paper panels, Astral Sea extends the artist’s interests in the confluence points of the cosmos, land, and water, as seen through the lens of an embodied sculptural landscape.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

Rolf Art presented Marcelo Brodsky's exhibition MARTIRIO, in collaboration with artists Fernando Bryce, Martín Kovensky and Fredi Casco; supported by a research and conceptual approach by José Emilio Burucúa and Carles Guerra.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

Lehmann Maupin presented Astral Sea, an exhibition of new work by New York-based artist Teresita Fernández. Featuring a series of glazed ceramic pieces and new sculptural paper panels, Astral Sea extends the artist’s interests in the confluence points of the cosmos, land, and water, as seen through the lens of an embodied sculptural landscape.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.