ANGELICA ARBELAEZ: PINTA MIAMI AND THE LATIN AMERICAN ARTISTIC NARRATIVE

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.

To paint the forest beings is the Special Project of Pinta Miami 2024. Curated by Irene Gelfman and Giuliana Vidarte, it brings together paintings by Shipibo-konibo indigenous artists with representations of the flora, fauna and cosmovision of the Peruvian Amazon to rethink the past, present and future of the planet.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.