MARTA MINUJÍN ON JOY AND VULNERABILITY

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

JO-HS, a global gallery specializing in emerging contemporary art, debuts its inaugural exhibition in New York, titled Techne. A curated showcase of works by 10 emerging Latin American artists, Techne grapples with how technology shapes humanity.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Argentina Performance Art, the first platform dedicated exclusively to the archive and theoretical research on Performance Art in Argentina, has opened a call for interns to join the team in the Internship Program 2024-2025.

The Museo de Arte Moderno de Buenos Aires invites artists and art professionals from Argentina and abroad who have been living in the country for 3 years or more to apply to the Casa Alberto Heredia Residency Program. Applications will be accepted until June 30, 2024 for the periods August-December 2024 and March-June 2025.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

JO-HS, a global gallery specializing in emerging contemporary art, debuts its inaugural exhibition in New York, titled Techne. A curated showcase of works by 10 emerging Latin American artists, Techne grapples with how technology shapes humanity.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Argentina Performance Art, the first platform dedicated exclusively to the archive and theoretical research on Performance Art in Argentina, has opened a call for interns to join the team in the Internship Program 2024-2025.

The Museo de Arte Moderno de Buenos Aires invites artists and art professionals from Argentina and abroad who have been living in the country for 3 years or more to apply to the Casa Alberto Heredia Residency Program. Applications will be accepted until June 30, 2024 for the periods August-December 2024 and March-June 2025.

JO-HS, a global gallery specializing in emerging contemporary art, debuts its inaugural exhibition in New York, titled Techne. A curated showcase of works by 10 emerging Latin American artists, Techne grapples with how technology shapes humanity.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Argentina Performance Art, the first platform dedicated exclusively to the archive and theoretical research on Performance Art in Argentina, has opened a call for interns to join the team in the Internship Program 2024-2025.

The Museo de Arte Moderno de Buenos Aires invites artists and art professionals from Argentina and abroad who have been living in the country for 3 years or more to apply to the Casa Alberto Heredia Residency Program. Applications will be accepted until June 30, 2024 for the periods August-December 2024 and March-June 2025.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

JO-HS, a global gallery specializing in emerging contemporary art, debuts its inaugural exhibition in New York, titled Techne. A curated showcase of works by 10 emerging Latin American artists, Techne grapples with how technology shapes humanity.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Argentina Performance Art, the first platform dedicated exclusively to the archive and theoretical research on Performance Art in Argentina, has opened a call for interns to join the team in the Internship Program 2024-2025.

The Museo de Arte Moderno de Buenos Aires invites artists and art professionals from Argentina and abroad who have been living in the country for 3 years or more to apply to the Casa Alberto Heredia Residency Program. Applications will be accepted until June 30, 2024 for the periods August-December 2024 and March-June 2025.

Last week's New York auctions, dubbed "Giga Week," saw art sales soar to an impressive $1.4 billion. This significant figure follows numerous sales at bustling art fairs over the past two weeks. While this amount represents a 22% decrease from the same week in 2023, and 55% less from 2022, auction houses performed admirably given the current challenging economic and political climate.

JO-HS, a global gallery specializing in emerging contemporary art, debuts its inaugural exhibition in New York, titled Techne. A curated showcase of works by 10 emerging Latin American artists, Techne grapples with how technology shapes humanity.

The jury of the IV Mediterranean Albert Camus Prize –composed of Javier Gomá, who acts as its president, and N’Goné Fall, Miquel Molina, José Luis Pérez Pont and Anne Prouteau– decided to unanimously award Alfredo Jaar the 2024 edition prize.

The NY spring season has concluded with the major auctions of Contemporary and Modern art. While the sales have not been a disaster, most lots have sold either below or close to the low estimate, with some last-minute withdrawals. One year ago, the May sales already marked a clear recalibration of prices. Over the past 12 months, the market has continued its slowdown, and this week's sales have confirmed the trend. It is not a brusque fall or a crash, but a slow-motion downward spiral in prices, with very few but exciting surprises.

Fondation Louis Vuitton, in collaboration with The Museum of Modern Art, New York and the SMK—Statens Museum for Kunst, Copenhagen, is hosting the exhibition Matisse: The Red Studio, focusing on the genesis and history of the 1911 masterpiece.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Argentina Performance Art, the first platform dedicated exclusively to the archive and theoretical research on Performance Art in Argentina, has opened a call for interns to join the team in the Internship Program 2024-2025.

The Museo de Arte Moderno de Buenos Aires invites artists and art professionals from Argentina and abroad who have been living in the country for 3 years or more to apply to the Casa Alberto Heredia Residency Program. Applications will be accepted until June 30, 2024 for the periods August-December 2024 and March-June 2025.