BIENALSUR INAUGURATES “A TURN WITH NO SCREW: URBAN IMAGINATIONS” AT THE BENITO QUINQUELA MARTÍN MUSEUM
The exhibition places the matter of "ways of living" in the La Boca area, linking works that reproduce utopias and failures of modernity. Curated by Diana Wechsler, Benedetta Casini and Leandro Martínez Depietri, this new exhibition in Buenos Aires brings together the works of artists from the BIENALSUR Open Call and historical and contemporary artists that make up the collections of the Emilio Pettoruti Provincial Museum of Fine Arts, of the Banco Ciudad, the Benito Quinquela Martín Museum and the IIAC-UNTREF Archive.
These are productions that problematize the promises of technological development and how it has impacted the environment and ways of living in the city.
"The consequences of this developmental drive on the environment and the ways of living of the city represent the focus of interest for the invited artists." explains the exhibition’s curatorial text. “Imaginary cities proliferate as possible alternatives, both in historical and contemporary works. Two key elements in the La Boca area, the housing issue and the contamination of the Riachuelo, work as triggers for broader reflections that, operating between the local and the global, resonate in the territory."
Among the artists from the Open Call, are the Spanish Alfonso Borragán, the Chilean Vivian Castro, the Ecuadorian Luis Chenche and the Argentines Ignacio Unrrein, Facundo de Zuviría, Dolores Casares, Mara Andrea Caso, Constructores de Fuego and Fábrica de Estampas. Regarding the artists from the collections are José Arcidiácono, Alejandro Bonome, Víctor Cúnsolo, Juan Del Prete, Norberto Gómez, Leonardo Gotleyb, Annemarie Heinrich, Ernesto Lanziuto, Germán Leonetti, Otilio Moralejo, Onofrio Pacenza, Jorge Tapia, Emilio Trad , Benito Quinquela Martín, Manuel Yglesias and Pablo Ziccarello.
The exhibition will remain on view until December 12 at the Benito Quinquela Martín Museum, Km 5.4 of BIENALSUR.
BIENALSUR now has its online broadcast BIENALSUR.TV of free access and with more than 300 hours of exclusive audiovisual content. The platform is a window to the contemporary artistic-cultural scene and contains debates and dialogues with its key figures, tours of the BIENALSUR exhibitions, the behind-the-scenes of its projects and reflections by the participating artists and curators. These contents are curated by the artistic director of BIENALSUR, Diana Wechsler, and its realization is in charge of UNTREF Media. The public will be able to find high-quality audiovisual pieces organized in different categories: Documentaries, Inaugurations, Meetings, Dialogues, Thoughts and Projects.
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How to situate the artistic dimension - and with it the reflection on the environment and the human condition - in a natural landscape that dazzles those who inhabit it?
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How to situate the artistic dimension - and with it the reflection on the environment and the human condition - in a natural landscape that dazzles those who inhabit it?
BETWEEN CULTURE AND NATURE - BIENALSUR IINSTALLATIONS N SWITZERLAND
How to situate the artistic dimension - and with it the reflection on the environment and the human condition - in a natural landscape that dazzles those who inhabit it?
“Pistas” (Clues would be the literal translation), inaugurated on October 27th at the MUNTREF Artes Visuales Sede Caseros I, in Buenos Aires, is an exhibition that brings together works from the collections of the Emilio Pettorutti Provincial Museum of Fine Arts and the MUNTREF. The exhibition, curated by Diana Wechsler, seeks to trace some historical-artistic journeys of 20th century Argentina, and includes works by such prominent artists as the Argentineans Emilio Pettorutti, Antonio Asís, César Paternosto, Alfredo Gramajo Gutiérrez, Ennio Iommi, Juan Melé, Pablo Páez, Javier Plano, Alejandro Puente, Víctor Rebuffo, Carlos Sessano, Clorindo Testa and Daniel Santoro, the Italians Juan Del Prete and Líbero Badíi, the Spanish Pompeyo Audivert and the German Anne-Marie Heinrich, among others.
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José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.
“EL ATAJO”. A DISPLACEMENT IN THE AUTHOR
José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.
The Saudi artist presents his work for the first time in Argentina in the framework of BIENALSUR 2021. Under the curatorial axis Politics of art, his solo exhibition “Silence still inhabits us” opened at the MUNTREF Sede Hotel de Inmigrantes. Its curator, Diana Wechsler, states that this exhibition reflects on the memory of culture and language, and surprises with a strongly poetic installation about words. Muhannad Shono's production includes intimate drawings, large-scale sculptures, and robotic and technological pieces, with a personal style characterized by versatility and disinhibition.
FROM SAUDI ARABIA TO BUENOS AIRES: MUHANNAD SHONO IN BIENALSUR
The Saudi artist presents his work for the first time in Argentina in the framework of BIENALSUR 2021. Under the curatorial axis Politics of art, his solo exhibition “Silence still inhabits us” opened at the MUNTREF Sede Hotel de Inmigrantes. Its curator, Diana Wechsler, states that this exhibition reflects on the memory of culture and language, and surprises with a strongly poetic installation about words. Muhannad Shono's production includes intimate drawings, large-scale sculptures, and robotic and technological pieces, with a personal style characterized by versatility and disinhibition.
How to situate the artistic dimension - and with it the reflection on the environment and the human condition - in a natural landscape that dazzles those who inhabit it?
BETWEEN CULTURE AND NATURE - BIENALSUR IINSTALLATIONS N SWITZERLAND
How to situate the artistic dimension - and with it the reflection on the environment and the human condition - in a natural landscape that dazzles those who inhabit it?
“Pistas” (Clues would be the literal translation), inaugurated on October 27th at the MUNTREF Artes Visuales Sede Caseros I, in Buenos Aires, is an exhibition that brings together works from the collections of the Emilio Pettorutti Provincial Museum of Fine Arts and the MUNTREF. The exhibition, curated by Diana Wechsler, seeks to trace some historical-artistic journeys of 20th century Argentina, and includes works by such prominent artists as the Argentineans Emilio Pettorutti, Antonio Asís, César Paternosto, Alfredo Gramajo Gutiérrez, Ennio Iommi, Juan Melé, Pablo Páez, Javier Plano, Alejandro Puente, Víctor Rebuffo, Carlos Sessano, Clorindo Testa and Daniel Santoro, the Italians Juan Del Prete and Líbero Badíi, the Spanish Pompeyo Audivert and the German Anne-Marie Heinrich, among others.
A REFLECTION ON THE HISTORY OF MODERN ART IN ARGENTINA – BIENALSUR AT MUNTREF
“Pistas” (Clues would be the literal translation), inaugurated on October 27th at the MUNTREF Artes Visuales Sede Caseros I, in Buenos Aires, is an exhibition that brings together works from the collections of the Emilio Pettorutti Provincial Museum of Fine Arts and the MUNTREF. The exhibition, curated by Diana Wechsler, seeks to trace some historical-artistic journeys of 20th century Argentina, and includes works by such prominent artists as the Argentineans Emilio Pettorutti, Antonio Asís, César Paternosto, Alfredo Gramajo Gutiérrez, Ennio Iommi, Juan Melé, Pablo Páez, Javier Plano, Alejandro Puente, Víctor Rebuffo, Carlos Sessano, Clorindo Testa and Daniel Santoro, the Italians Juan Del Prete and Líbero Badíi, the Spanish Pompeyo Audivert and the German Anne-Marie Heinrich, among others.
