BODY AND EARTH CONNECTED IN REGINA JOSÉ GALINDO’S SOLO EXHIBITION
PAV (Parco Arte Vivente) is presenting Tierra (Earth), the solo exhibition of guatemaltecan artista Regina José Galino. She has been investigating for over 20 years the subject of social justice through the lens of performative practives.
Tierra covers the artist’s twenty-year-long career focusing on the ways in which every one of her contacts with natural elements should be read in an intersectional and militant key. Amongst all the natural elements, the earth has a particular status of its own: Galindo’s approach avoids any essentialist description of the relationship between the earth and the female body. The results of her approach, that has evolved over the years, are displayed from an initial focus on Guatemalan socio-political problems, to a (site-specific) attention to the contexts and communities with which the artist has found herself interacting.
The focal point of Regina José Galino’s expression is how and in which ways body and environment are connected. The artist uses the body as the preferred instrument of an intense artistic practice which began towards the end of the 1990s. Far from the formal type of research performed by the traditional art schools, Galindo immediately used art as a means of communication and political action. Born and brought up during the long Guatemalan military dictatorship, she was a witness from a very early age of the civil war characterized by repressive practices through to the ethnic cleansing of the indigenous populations.
Regina José Galindo (1974) lives and works in Guatemala City. Winner of the Leone d’Oro at the Venice Biennale in the young artists category in 2005; she received the Prince Claus Award in Holland, the special award at the 29th Ljubljana Biennale and the Robert Rauschenberg Award. Her works are on display in numerous public collections, including the Centre Pompidou, Paris; MEIAC- the Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz; the Fondazione Galleria Civica, Trento; the MMKA, Budapest; the Castello di Rivoli, Turin; the Daros Foundation, Zurich; the Blanton Museum, Austin; the UBS Art Collection, Basel; the Miami Art Museum; the Cisneros Fountanal Art Foundation, Miami; and the Madco-Museum of Contemporary Art, Costa Rica.
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The Fairfield University Art Museum and the Art Museum at the University of Saint Joseph announce the closing of the monographic exhibition Gladys Triana: A Path to Enlightenment, 1971-2021, which displays the work of Gladys Triana (b. Cuba, 1937) at these two venues simultaneously. This exhibition, which opened on September 23, 2022, marked the first collaboration between both exhibitions to provide a two-venue survey of an artist’s work.
GLADYS TRIANA'S TWO SIMULTANEOUS EXHIBITIONS
The Fairfield University Art Museum and the Art Museum at the University of Saint Joseph announce the closing of the monographic exhibition Gladys Triana: A Path to Enlightenment, 1971-2021, which displays the work of Gladys Triana (b. Cuba, 1937) at these two venues simultaneously. This exhibition, which opened on September 23, 2022, marked the first collaboration between both exhibitions to provide a two-venue survey of an artist’s work.
Curated by Carolina Castro Jorquera, Punto de vista (Point of view), Rodrigo Arteaga's exhibition, is a continuation of the artist's explorations and concerns about the way in which we perceive the beings and forms with which we coexist.
PUNTO DE VISTA: RODRIGO ARTEAGA'S EXHIBITION AT MAC
Curated by Carolina Castro Jorquera, Punto de vista (Point of view), Rodrigo Arteaga's exhibition, is a continuation of the artist's explorations and concerns about the way in which we perceive the beings and forms with which we coexist.
In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.
THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1
In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.
For the first time in Argentina Anthropocene is showing at PROA Foundation. A world-renowned exhibition by Canadian artists Edward Burtynsky, Jennifer Baichwall and Nicholas de Pencier.
ANTHROPOCENE: THE ENVIRONMENT GROUP SHOW AT PROA
For the first time in Argentina Anthropocene is showing at PROA Foundation. A world-renowned exhibition by Canadian artists Edward Burtynsky, Jennifer Baichwall and Nicholas de Pencier.
The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.
ETCÉTERAS: JIM AMARAL AT MAMBO
The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.
The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
HABITAT BY LUCIANA LEVINTON. THE SHOW AT MACBA
The Museum of Contemporary Art of Buenos Aires presents Habitat, a selection of works by artist Luciana Levinton that includes large canvases and unusual supports.
Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.
PHOTOGRAPHY IN INK: A LOOK AT CONTEMPORARY COPPER-PLATE PHOTOGRAVURE
Penumbra Foundation’s new exhibition: Photography in Ink: A Look at Contemporary Copper-Plate Photogravure, displays a group of photogravure prints, which offers viewers the rare opportunity to expand their understanding of material photography.