TWO EXHIBITIONS, TWO WOMEN PHOTOGRAPHERS AT THE LARIVÈRE FOUNDATION

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

Ruth Benzacar Art Gallery presented Hypnophilia, the fourth exhibition of Florencia Rodriguez Giles in the space. It features the curatorial work and text by Alfredo Aracil.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the NEXT | Out of Focus section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, NEXT | Out of Focus has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

ARDE is the exhibition with Alejandro Chaskielberg and Don Rouch, guest artist, that brings together a series of works on which they have recently collaborated.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

Ruth Benzacar Art Gallery presented Hypnophilia, the fourth exhibition of Florencia Rodriguez Giles in the space. It features the curatorial work and text by Alfredo Aracil.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the NEXT | Out of Focus section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, NEXT | Out of Focus has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

ARDE is the exhibition with Alejandro Chaskielberg and Don Rouch, guest artist, that brings together a series of works on which they have recently collaborated.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Ruth Benzacar Art Gallery presented Hypnophilia, the fourth exhibition of Florencia Rodriguez Giles in the space. It features the curatorial work and text by Alfredo Aracil.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the NEXT | Out of Focus section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, NEXT | Out of Focus has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

ARDE is the exhibition with Alejandro Chaskielberg and Don Rouch, guest artist, that brings together a series of works on which they have recently collaborated.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

Ruth Benzacar Art Gallery presented Hypnophilia, the fourth exhibition of Florencia Rodriguez Giles in the space. It features the curatorial work and text by Alfredo Aracil.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the NEXT | Out of Focus section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, NEXT | Out of Focus has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

ARDE is the exhibition with Alejandro Chaskielberg and Don Rouch, guest artist, that brings together a series of works on which they have recently collaborated.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

Ruth Benzacar Art Gallery presented Hypnophilia, the fourth exhibition of Florencia Rodriguez Giles in the space. It features the curatorial work and text by Alfredo Aracil.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the NEXT | Out of Focus section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, NEXT | Out of Focus has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

ARDE is the exhibition with Alejandro Chaskielberg and Don Rouch, guest artist, that brings together a series of works on which they have recently collaborated.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.