HÉLIO OITICICA’S INSTALLATION IN NEW YORK
Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

Oiticica envisioned the work in 1971, as part of a series of Subterranean Tropicália Projects for Central Park, while he was living in New York City, drawing inspiration from the thriving underground culture.
The circular structure of curving corridors provides visitors with a multi-sensory experience and a space for the public to collectively engage in auto-performance. The 40 feet diameter environment, with plants and image projections, creates a play of light, shadow, opacity, framing, and orientation. It is a space for collective creativity and leisure, dubbed “creleisure” by the artist.
Socrates presents PN15 as a structure both for visitors to drop-in and create their own spontaneous auto-performances and as a platform for planned performances by the Park’s community partners and living artists, bringing new currency to Oiticica’s vision from 1971.
Over the course of the exhibition, Brazilian and Queer artists will activate the installation as a stage for interactive performances and workshops, bringing new currency to Oiticica’s vision from 1971. The series kicked off with a performance by multidisciplinary artist MX Oops on Friday, May 20th, in addition to programs with La Luna and Bell Falleiros.
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Maquette for Subterranean Tropicália Projects: PN15 Penetrable, 1971 Nylon mesh and cardboard. Image by Miguel Rio Branco. ©César and Claudio Oiticica
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Maquette for Subterranean Tropicália Projects: PN15 Penetrable, 1971 Nylon mesh and cardboard. Image by Miguel Rio Branco. ©César and Claudio Oiticica
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Images courtesy of Socrates Sculpture Park
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Images courtesy of Socrates Sculpture Park
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Images courtesy of Socrates Sculpture Park
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Images courtesy of Socrates Sculpture Park
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Images courtesy of Socrates Sculpture Park
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Images courtesy of Socrates Sculpture Park
The video projection program series in the interior of PN15 presents both historical video by the artist, his Latin American artist contemporaries, and recent video by Brazilian and queer artists who share overlapping interests. The artist wrote that he intended for the Puerto Rican drag queen and underground cinema star Mario Montez to perform inside PN15. One of the video projection programs showcases various films featuring Montez, including Oiticica’s super 8 film Agrippina e Roma Manhattan.
Hélio Oiticica (1937 – 1980) is widely regarded as one of Brazil’s leading artists of the twentieth century and a touchstone for much contemporary art made since the 1960s, primarily through his freewheeling, participatory works of art, performative environments, avant-garde films and abstract paintings. Even before the age of 20, Oiticica was a key member of the historic Rio de Janeiro-based Grupo Frente (1954-56), his radical play with geometric form and vibrant colors transcending the minimal lines of European constructivism and imbuing his work with an exuberant rhythm that resonated with the avant-garde music and poetry of his native Brazil. In the late 1950s, Oiticica would go on to become a leading figure of Brazilian Neo-Concretism (1959-61) that included other ground breaking artists such as Lygia Clark, Lygia Pape and the poet Ferreira Gullar, ultimately giving rise to the artistic movement known as Tropicalismo, named for a work of Oiticica’s from 1967.
Increasingly, Oiticica became a countercultural figure and underground hero, foregrounding bodily interaction with spatial and environmental concerns over pure aesthetics. “Ambient art,” he wrote, “is the overthrow of the traditional concept of painting-frame and sculpture – that belongs to the past. It gives way to the creation of ‘ambiences’: from there arise what I call ‘anti-art,’” which he later defined as “the era of the popular participation in the creative field.”
The project is presented in conjunction with the exhibition ‘This Must Be the Place: Latin America Artists in New York, 1965-1975′ on view at Americas Society until May 14, 2022.
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PARIS - CINETIQUE! THE SCULPTURE IN MOVEMENT
Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.
AMERICAS SOCIETY EXHIBITS SCULPTURES BY MEXICAN ARTIST GELES CABRERA
This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.
CARLOS CRUZ-DIEZ: CHROMOSATURATION AT PAMM
Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.
ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”
Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

Miami Dade College’s (MDC) Cuban Legacy Gallery, in collaboration with the American Museum of the Cuban Diaspora, presents Baruj Salinas: 1972–2022, a thematic survey of the acclaimed Miami-based Cuban American painter’s abstract work. Curated by Adriana Herrera, the show spans a half century of Salinas’ artistic career and features 40 works and includes paintings, works on paper, glazed ceramics, and an artist’s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition will be on view until August 14, 2022.
CUBAN LEGACY GALLERY PRESENTS BARUJ SALINAS: 1972–2022
Miami Dade College’s (MDC) Cuban Legacy Gallery, in collaboration with the American Museum of the Cuban Diaspora, presents Baruj Salinas: 1972–2022, a thematic survey of the acclaimed Miami-based Cuban American painter’s abstract work. Curated by Adriana Herrera, the show spans a half century of Salinas’ artistic career and features 40 works and includes paintings, works on paper, glazed ceramics, and an artist’s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition will be on view until August 14, 2022.

Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.
ADRIANA VAREJÃO: SUTURES, FISSURES, RUINS
Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11th 2022.
CECILIA VICUÑA’S TATE MODERN COMMISSION
Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11th 2022.

CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.
LAST DAYS! SANDRA GAMARRA AT THE SPANISH MUSEUM CGAC
CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.

The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.
PLASTIC PRINTS IN ‘OCÉANOS’ – PENUMBRA FOUNDATION
The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.
PARIS - CINETIQUE! THE SCULPTURE IN MOVEMENT
Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.
AMERICAS SOCIETY EXHIBITS SCULPTURES BY MEXICAN ARTIST GELES CABRERA
This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.
CARLOS CRUZ-DIEZ: CHROMOSATURATION AT PAMM
Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.
ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”
Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.