THE INTERCONNECTION BETWEEN ART, CULTURE AND NATURE - INTERVIEW WITH CURATOR GREDNA LANDOLT
In this interview, Gredna Landolt, a Peruvian graphic artist and curator, shares with us her work curating the Amazonías section of Pinta PArC 2023, a section that exhibits renowned native artists. The title of this exhibition, "Los ojos que no ven" (the eyes that don't see), refers to the multiverse inhabited by guardian spirits or "mothers" that protect natural species from being preyed on or harmed, as well as other spirits that dwell in different spheres or spaces that they consider part of the world. In this conversation with Gredna, we learn more about her curatorial work on the section, her inspiration and trajectory.
What criteria do you use to select the works and artists that are exhibited in the Amazonias section of Pinta PArC?
I have sought to select artists from different indigenous peoples whose work has achieved a distinctive style and who have something interesting to say. I chose the title "Lo que los ojos no ven" ("What the eyes don't see") as the thematic proposal for the exhibition's works because it encapsulates a concept shared by most Amazonian artists: the multiverse inhabited by guardian spirits or "mothers" who protect natural species from being preyed upon or harmed, as well as other spirits that dwell in different spheres or spaces that they consider part of the world.
What do you look for in the exhibited works to highlight the cultural and artistic diversity of the Amazon region?
It is a varied proposal in techniques and mediums, where not only contemporary art pieces but also traditional art pieces are included. I also look for works that reflect the artists' processes, which range from painting with natural dyes on bark cloth (llanchama) or fabric dyed with mahogany, embroidery, acrylic on canvas, watercolor, wood carvings, ceramics in various formats, and photography.
What role does art play in promoting dialogue and awareness about the environmental problems of the Amazon? Is it a way to preserve indigenous cultural richness?
Being in some way - in its various expressions - an art inseparable from nature, it always reminds us that human beings are part of it, but that we are not the center. Therefore, the balance of life is something precarious and is sustained by the good relationship we maintain with the other beings that inhabit nature. Art is always fundamental to life. In the particular case of Amazonian art, I believe it is one of the most important phenomena of Peruvian art in the 21st century. It effectively contributes to preserving the cultural richness of indigenous peoples. Additionally, it allows us to approach other ways of seeing life; indirectly, it makes us take greater interest in the Amazon and the environmental problems it faces, in an empathetic and affective way.
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"Lagarto" de Celia Vásquez y Diana Ruiz, ceramistas shipibos. 33 x 108 x 42 cm. Foto: Juan Pablo Murrugarra. Cortesía del Shipibo-conibo Center, NY y de las artistas.
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Anónimo. Mahuetá (Tinaja). Cerámica modelada y pintada. Río Pisqui. Quebrada de Mashpaya, ca. 2000.
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“Traje de vuelo de chamán” de Santiago Yahuarcani. Imagen: Juan Pablo Murrugarra. Cortesía de CRISIS Galería y el artista.
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"Lagarto" de Celia Vásquez y Diana Ruiz, ceramistas shipibos. 33 x 108 x 42 cm. Foto: Juan Pablo Murrugarra. Cortesía del Shipibo-conibo Center, NY y de las artistas.
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Gredna Landolt.
At what point in your career did you know that you wanted to specialize in the art of indigenous communities, specifically from Amazonian regions?
It arose naturally more than 20 years ago. It was not a decision, but rather I became passionate about it as I learned more about Amazonian indigenous cultures. My first contact was in 1997, when I worked as a graphic consultant for the Program for the Training of Bilingual Teachers in the Peruvian Amazon, near Iquitos. There, specialists from 14 indigenous peoples attended, with whom I collaborated on a project that culminated in a large exhibition at the Telefónica Foundation and a catalog: "El ojo verde, cosmovisiones amazónicas" ("The Green Eye, Amazonian Cosmovisions") (2000). We collected drawings and many traditional pieces, several of which were commissioned and others were recovered from the deposits of some museums, where they were still considered only as ethnographic pieces. The merit of that project was to work with indigenous specialists to present the pieces as objects of art in full use. Since then, my interest has continued to grow. And I believe the same has happened with people who, once they have seen it, continue to be fascinated.
What special character, style, and message does indigenous Amazonian art have in particular compared to other regions?
Indigenous artists have taken hold of Western art techniques and mediums to express their own worlds and cultures, and they still have much to say. There is no defined style, each artist has their own. This makes it even more interesting. Rather, what distinguishes them from other regions are the themes they address, such as territory, fauna, ayahuasca visions, and myths. Recently, Peruvian Amazonian indigenous art has garnered great international interest and has reached galleries such as White Cube, Salon 94, and Clearing, which are supporting it.
What impact can a section like “Lo que los ojos no ven” have in a time of such harm to nature?
The title of the exhibit "Lo que los ojos no ven," speaks precisely to what our Western vision cannot perceive: the spirits that protect everything that lives in the forest. Although they cannot be seen with the naked eye, the inhabitants of the indigenous villages perceive them in different forms, spontaneously or through the ingestion of ayahuasca or other plants considered sacred, which are used to "open the vision." It would be desirable for a section like this to contribute to a better understanding of nature, which translates into protecting it. That it is understood as something essential to improve, sustain, and beautify the life not only of the Amazon but of the entire planet.
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In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
PINTA PArC 2023 - CELEBRATING A DECADE OF DIFFUSION OF LATIN AMERICAN CONTEMPORARY ART IN PERU
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
Florencia Portocarrero, curator of the NEXT section at Pinta PArC, opens a space for us on her agenda from Lima to talk about her curatorial work this year. He brings us closer to his vision and his way of approaching this task through sensitivity and openness to dialogue with galleries and their emerging artists. As the director of Bisagra, an independent art collective that she directs together with Miguel A. López, and the artists Andres Pereira Paz, Eliana Otta, Iosu Aramburu and Juan Diego Tobalina, she shares with us her desire to "horizontalize" relationships when thinking and to create an exhibition, an attitude that translates into the moment of curating NEXT.
FLORENCIA PORTOCARRERO: VISION AND APPROACH IN EMERGING ART
Florencia Portocarrero, curator of the NEXT section at Pinta PArC, opens a space for us on her agenda from Lima to talk about her curatorial work this year. He brings us closer to his vision and his way of approaching this task through sensitivity and openness to dialogue with galleries and their emerging artists. As the director of Bisagra, an independent art collective that she directs together with Miguel A. López, and the artists Andres Pereira Paz, Eliana Otta, Iosu Aramburu and Juan Diego Tobalina, she shares with us her desire to "horizontalize" relationships when thinking and to create an exhibition, an attitude that translates into the moment of curating NEXT.
Gerardo Mosquera is a Cuban-born art historian, critic, and curator. He is recognized for his contributions to the field of Latin American art and has worked extensively in the international art world.
LATIN AMERICAN IDENTITY IN CONTEMPORARY ART AND CRITICISM. INTERVIEW WITH GERARDO MOSQUERA
Gerardo Mosquera is a Cuban-born art historian, critic, and curator. He is recognized for his contributions to the field of Latin American art and has worked extensively in the international art world.
Pinta PArC, Peru Contemporary Art inaugurated its tenth edition. A unique opportunity to discover and explore contemporary art proposals from around the world and, especially, innovative initiatives from the region.
MODERN LEGACY FROM THE LATIN AMERICAN PERSPECTIVE - MAIN SECTION AND SOLO DUO AT PINTA PArC
Pinta PArC, Peru Contemporary Art inaugurated its tenth edition. A unique opportunity to discover and explore contemporary art proposals from around the world and, especially, innovative initiatives from the region.
Chilean gallery NAC exhibits at Pinta PArC the work of artists Diego Santa María, David Scognamiglio and Colomba Fontaine.
EXPLORING MATERIALITY AND POETICS IN NAC'S PROPOSAL AT PINTA PARC
Chilean gallery NAC exhibits at Pinta PArC the work of artists Diego Santa María, David Scognamiglio and Colomba Fontaine.
Galería del Paseo opens two exhibitions at its Lima venue: Red Shift: Perú by Martín Peleneur and Inconsciente by Azul Caverna.
Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.
ROBERTO HUARCAYA'S PHOTOGRAPHIC EXPERIMENTATION IN PINTA PArC 2023
Pinta PArC celebrates its tenth edition from April 19 to 23 in Lima, Peru, where more than 45 galleries will participate, including Argentina's Rolf Art.
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
MOTHERS PLANTS AND WOMEN FIGHTERS. VISIONS FROM CANTAGALLO
This exhibition at MAC Lima is the result of an invitation to Olinda Silvano [Reshinjabe] and the women's collective Non Shinanbo (Our Inspirations) to rethink and represent the last two years of health, social and political crisis from their concerns, urgencies and desires.
Curated by Florencia Portocarrero, the NEXT section at Pinta PArC, Peru Contemporary Art, proposes the visualization of emerging galleries that were selected for their relevance within the contemporary scene of their regions.
NEXT AT PINTA PArC: YOUNG EMERGING ARTISTS FROM LATIN AMERICA
Curated by Florencia Portocarrero, the NEXT section at Pinta PArC, Peru Contemporary Art, proposes the visualization of emerging galleries that were selected for their relevance within the contemporary scene of their regions.
MAD Museo de Minerales Andrés del Castillo, presents Grados Conjuntos (Joint Degrees), a group exhibition by Melissa Dupont, Gianna Pollarolo and Michelle Prazak under the curatorship of GBG ARTS.
EXPLORING PERCEPTION AS A GROUP
MAD Museo de Minerales Andrés del Castillo, presents Grados Conjuntos (Joint Degrees), a group exhibition by Melissa Dupont, Gianna Pollarolo and Michelle Prazak under the curatorship of GBG ARTS.
In its tenth edition, Pinta PArC, Peru Contemporary Art presented the Amazonía section, which exhibits renowned artists from native communities and is curated by Gredna Landolt.
AMAZON COSMOLOGY IN PERU'S CONTEMPORARY ART – THE AMAZONÍA SECTION AT PINTA PArC
In its tenth edition, Pinta PArC, Peru Contemporary Art presented the Amazonía section, which exhibits renowned artists from native communities and is curated by Gredna Landolt.
Last two days to visit Pinta PArC, Peru Contemporary Art! In its tenth edition, the renowned fair presents the sections Sculpture Garden, curated by Max Hernandez Calvo and Video Project, curated by Irene Gelfman.
A REFLECTION ON HOW WE RELATE TO NATURE AND TECHNOLOGY - VIDEO PROJECT & SCULPTURE GARDEN
Last two days to visit Pinta PArC, Peru Contemporary Art! In its tenth edition, the renowned fair presents the sections Sculpture Garden, curated by Max Hernandez Calvo and Video Project, curated by Irene Gelfman.
The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.
AN ECCLECTIC APPROACH TO THE IDEA OF DISSAPEARANCE
The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.
In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
PINTA PArC: THE EPICENTER OF LATIN AMERICAN ARTISTIC IDENTITIES
In this 2023 edition, Pinta PArC –the most important contemporary art fair in Peru– celebrates its 10th anniversary.
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
PINTA PArC 2023 - CELEBRATING A DECADE OF DIFFUSION OF LATIN AMERICAN CONTEMPORARY ART IN PERU
The tenth edition of Pinta PArC ended last Sunday, held at the mythical Casa Prado, in Lima, Perú. An epicenter of artistic identities of the region in which more than 200 artists and cultural institutions participated.
Florencia Portocarrero, curator of the NEXT section at Pinta PArC, opens a space for us on her agenda from Lima to talk about her curatorial work this year. He brings us closer to his vision and his way of approaching this task through sensitivity and openness to dialogue with galleries and their emerging artists. As the director of Bisagra, an independent art collective that she directs together with Miguel A. López, and the artists Andres Pereira Paz, Eliana Otta, Iosu Aramburu and Juan Diego Tobalina, she shares with us her desire to "horizontalize" relationships when thinking and to create an exhibition, an attitude that translates into the moment of curating NEXT.
FLORENCIA PORTOCARRERO: VISION AND APPROACH IN EMERGING ART
Florencia Portocarrero, curator of the NEXT section at Pinta PArC, opens a space for us on her agenda from Lima to talk about her curatorial work this year. He brings us closer to his vision and his way of approaching this task through sensitivity and openness to dialogue with galleries and their emerging artists. As the director of Bisagra, an independent art collective that she directs together with Miguel A. López, and the artists Andres Pereira Paz, Eliana Otta, Iosu Aramburu and Juan Diego Tobalina, she shares with us her desire to "horizontalize" relationships when thinking and to create an exhibition, an attitude that translates into the moment of curating NEXT.
Gerardo Mosquera is a Cuban-born art historian, critic, and curator. He is recognized for his contributions to the field of Latin American art and has worked extensively in the international art world.
LATIN AMERICAN IDENTITY IN CONTEMPORARY ART AND CRITICISM. INTERVIEW WITH GERARDO MOSQUERA
Gerardo Mosquera is a Cuban-born art historian, critic, and curator. He is recognized for his contributions to the field of Latin American art and has worked extensively in the international art world.
