DAMIANA RETURNS HOME: GUSTAVO BENÍTEZ AT EXAEDRO
Gustavo Benítez presents at Exaedro the exhibition Damiana vuelve a casa (Damiana returns home), an exhibition that explores a story of identity, pain and abandonment. It is presented in the context of the art week Pinta Sud | ASU 2024, from August 5 to 11, and is curated by Ticio Escobar.
Excerpts from the curatorial text "The forms of misfortune"
In 1896, a 3-year-old Aché girl was kidnapped by white settlers, baptized "Damiana" by them and taken to Argentina to be subjected to racist scientific experiments, in the course of which she died as a teenager. One hundred years later, her remains were recovered by the Aché and buried according to the rituals of their culture, under the name of Kryygi. Gustavo Benítez's exhibition is based on this unfortunate event and, in general, on the tragedy of the Aché people; but in the course of this unfortunate history, he does not intend to represent the colonialist crime or its symbolic restitution, but to present, in the form of flashes, fragmentary moments that survive, that resist ecocide and environmental plundering in the face of the imagination of other possible conditions.
Gustavo Benítez does not tell a story in the key of a chronicle, he does not even literally expose a denunciation. He limits himself to collecting residues of collective memory and fragments of the forest and inventorying objects of the Aché tradition in order to create, from their echoes, other objects connected to his own time. The artist works with two photographs of Damiana's face; one taken while she was alive and the other, corresponding to a sort of death mask made with the skin dissected and marked by the cuts of the macabre operation. He superimposes both photographs in different layers, prints the result in cyan and black colors and presents the image illuminated with black light in a small room of the gallery that suggests the site of an altar or the cell of a prison. The other works in the exhibition are based on major objects of the Aché culture that express in their stubborn survival the forms of resistance of this people.
The Ache aesthetic is radically unique. Unlike that of any other ethnic group, it does not employ any primary tone and uses a range composed of blacks, grays and browns: they only use the colors of the material used. The result is a world of severe images, perhaps too sullen; but they manage to express themselves in exact, profoundly original forms, which allow us to speak of a beauty of their own, valuably singular. Gustavo Benítez's own work -focused on matter, its inner intricacies, its textures and tones- lends itself to connect with that intense and rough world, stripped of artifice; as if obeying the canon of the rigorous Aché palette, the cellulose paste he uses does not allow itself to be dyed, it only admits natural colors.
The reparation that the recovery of Damiana's image means for the Aché people, as well as the continuity of part of its forests and the persistence of its main forms, signifies a political conquest, a victory of the resistant memory. The residues of memory and the remains of the forest -the first scene- are signs of a loss that art could, should, turn into small promises of new scenes, hopefully propitious. Meaning is at stake in the course of that possibility.
–Ticio Escobar. Asuncion, July 2024.
Damiana Vuelve a casa. Exhibition by Gustavo Benítez.
Until August 17, 2024.
Exaedro. Aca Caraya 595, Asunción Paraguay.
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THE GOLD OF DREAMS: ANDRÉS PAREDES AT THE MACRO TOWER
Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
SHARED ABSENCE – AN EXHIBITION OF COLLECTIVE MEMORY
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.
PARAGUAY AND THE ART SYSTEM
Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.
Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
PARAGUAY: AN EXPANDING ART MARKET
Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.
TEXO FOUNDATION AND THE ARCHITECTURE PROJECT #SELECCION5
Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.
Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
THE INSTALLATION OF MARCOS BENITEZ AT ICPA
Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.
PINTA Sud | ASU ART WEEK IN ASUNCION
The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.
Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
CLAUDIA CASARINO: "EVERYTHING IS BORN FROM PERSONAL AND FAMILY NARRATIVES"
Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
Artística - Espacio de arte presents from August 5 the artist Osvaldo Salerno with the exhibition of photographs El retorno (The Return), within Pinta Sud | ASU art week. It is curated by Javier Medina Verdolini and has additional texts by Ticio Escobar.
IMAGES THAT REMAIN FOR WHAT WAS SAID – OSVALDO SALERNO IN ARTÍSTICA
Within the context of Pinta Sud | ASU 2024, Viedma gallery presents from August 6 the installation El Bosque que vuela: ficciones en torno a Ogwa (The Forest that flies: fictions around Ogwa) by the artist Joaquín Sánchez. It is curated by Adriana Almada.
In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.
LATIN AMERICAN CURATORIAL PRACTICE AT PINTA Sud | ASU 2024
In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.
The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.
THE COLORS OF THE RESISTANCE: MARCELO BRODSKY AT MUSEO DEL BARRO
The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
FELICIANO CENTURIÓN'S WARM HEART
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
NÉLIDA MENDOZA'S IDENTITY SYSTEMS
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
PINTA Sud | ASU CLOSED ITS THIRD EDITION AT JULIA ISÍDREZ'S WORKSHOP IN ITÁ
The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
YOUNG CURATORS PROGRAM IN PINTA Sud | ASU 2024
The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.
THE GOLD OF DREAMS: ANDRÉS PAREDES AT THE MACRO TOWER
Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
SHARED ABSENCE – AN EXHIBITION OF COLLECTIVE MEMORY
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.
PARAGUAY AND THE ART SYSTEM
Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.
Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
PARAGUAY: AN EXPANDING ART MARKET
Paraguay is rarely mentioned when discussing the global art market, but this might change in the coming years due to its growing activity in the contemporary art sector. This activity is primarily driven by local galleries, which, aware of the cultural isolation the country has experienced for many years, are actively promoting local collecting and seeking to promote their artists through fairs and participation in events like the current Pinta Sud|ASU.
Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.
TEXO FOUNDATION AND THE ARCHITECTURE PROJECT #SELECCION5
Fundación Texo presents the return of its most important and ambitious program, #Seleccion5. This initiative highlights the value of contemporary Paraguayan architecture, presenting an exhibition project of outstanding local studios and professionals.
Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
THE INSTALLATION OF MARCOS BENITEZ AT ICPA
Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.
The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.
PINTA Sud | ASU ART WEEK IN ASUNCION
The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.
Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
CLAUDIA CASARINO: "EVERYTHING IS BORN FROM PERSONAL AND FAMILY NARRATIVES"
Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.
Artística - Espacio de arte presents from August 5 the artist Osvaldo Salerno with the exhibition of photographs El retorno (The Return), within Pinta Sud | ASU art week. It is curated by Javier Medina Verdolini and has additional texts by Ticio Escobar.
IMAGES THAT REMAIN FOR WHAT WAS SAID – OSVALDO SALERNO IN ARTÍSTICA
Within the context of Pinta Sud | ASU 2024, Viedma gallery presents from August 6 the installation El Bosque que vuela: ficciones en torno a Ogwa (The Forest that flies: fictions around Ogwa) by the artist Joaquín Sánchez. It is curated by Adriana Almada.
In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.
LATIN AMERICAN CURATORIAL PRACTICE AT PINTA Sud | ASU 2024
In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.
The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.
THE COLORS OF THE RESISTANCE: MARCELO BRODSKY AT MUSEO DEL BARRO
The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
FELICIANO CENTURIÓN'S WARM HEART
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
NÉLIDA MENDOZA'S IDENTITY SYSTEMS
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
PINTA Sud | ASU CLOSED ITS THIRD EDITION AT JULIA ISÍDREZ'S WORKSHOP IN ITÁ
The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.
The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
YOUNG CURATORS PROGRAM IN PINTA Sud | ASU 2024
The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.
Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.
THE GOLD OF DREAMS: ANDRÉS PAREDES AT THE MACRO TOWER
Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
SHARED ABSENCE – AN EXHIBITION OF COLLECTIVE MEMORY
The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
