JOSUÉ SANCHEZ’S ANDEAN WORLDS AT GALERIA DEL PASEO LIMA
Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

Josué Sánchez’s paintings (Huancayo, 1945) are distinguished by their sharply defined planes of vibrant colors and the dynamism of their geometric compositions, which structure the diverse Andean contexts depicted and emphasize the interrelations between the elements coexisting on the canvases.
The exhibition Esta tierra que compartimos brings together works created by Josué between 2002 and 2025, integrating Andean mythology, textile designs, and iconography into paintings, drawings, collages, sculptures, and murals. These compositions reveal the coexistence of mountain spirits and humans in urban spaces.
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Josué Sánchez. Suspendido en el tiempo (mañana), 2024. Acrílico sobre lienzo. 90 x 60 cm. Cortesía de Galería del Paseo
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Josué Sánchez. Suspendido en el tiempo (mañana), 2024. Acrílico sobre lienzo. 90 x 60 cm. Cortesía de Galería del Paseo
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Josué Sánchez. Grupo II (2002). Collage sobre papel. 15 x 10 cm. Cortesía de Galería del Paseo
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Josué Sánchez. Sin título (2025). Acrílico sobre lienzo. 155 x 120 cm. Cortesía de Galería del Paseo
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Josué Sánchez. Suspendido en el tiempo (tarde), 2024. Acrílico sobre lienzo. 90 x 60 cm. Cortesía de Galería del Paseo
The cities and ecosystems built by Josué display the lines and patterns of Andean textile iconography, inhabited by spiritual beings, humans, animals, and plants.
Josué Sánchez (Huancayo, 1945) is a visual artist and a graduate of the now-defunct School of Fine Arts at the National University of Central Peru. His neo-figurative paintings are rooted in the Andean worldview, which he captures primarily using acrylic on canvas, paper, or walls.
A renowned muralist, his most representative murals can be found in the Church of Chongos Alto in Huancayo (350 m²), the Franciscan Convent of Santa Rosa de Ocopa in Concepción (400 m²), the Place of Memory, and the House of Literature in Lima, among others across Peru. His works are part of the collections of the Lima Museum of Art (MALI), the Museum of Contemporary Art of Lima (MAC Lima), and the Christian art collection of the International Catholic Missionary Organization MISSIO Aachen, among others. He has exhibited in Spain, Germany, France, England, Switzerland, Chile, and Ecuador and has illustrated the covers and interiors of dozens of books by Peruvian and international authors.
Esta tierra que compartimos will be on view until May 3 at Galería del Paseo Lima, located at Calle General Borgoño 770, Miraflores, Lima (Peru).
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The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
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Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.
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Crisis Galería presents the solo exhibition Amuleto by artist Ana Navas. This marks her second solo show at the gallery. For the Peruvian artist, each "glass organism" emerges from the metabolization of her fascination with the connection between the pioneers of modern abstraction and spirituality.

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The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).
MAC LIMA LAUNCHES ITS CYCLE OF TEMPORARY EXHIBITIONS
The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.
A REVISIT TO THE WORK OF RAPHAEL HASTINGS AT ICPNA
The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.