ADRIANA ALMADA AND FÉLIX TORANZOS: AWARDED BY THE GOVERNMENT OF FRANCE

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

Mid-October marks a pivotal moment in the art world, as the spotlight shifts between London and Paris. First up is London, with Frieze opening on October 9^th accompanied by a flurry of gallery openings and art events across the city. This season also sees important auctions, with leading houses hosting sales of Modern and Contemporary art.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

Mid-October marks a pivotal moment in the art world, as the spotlight shifts between London and Paris. First up is London, with Frieze opening on October 9^th accompanied by a flurry of gallery openings and art events across the city. This season also sees important auctions, with leading houses hosting sales of Modern and Contemporary art.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

Mid-October marks a pivotal moment in the art world, as the spotlight shifts between London and Paris. First up is London, with Frieze opening on October 9^th accompanied by a flurry of gallery openings and art events across the city. This season also sees important auctions, with leading houses hosting sales of Modern and Contemporary art.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

Mid-October marks a pivotal moment in the art world, as the spotlight shifts between London and Paris. First up is London, with Frieze opening on October 9^th accompanied by a flurry of gallery openings and art events across the city. This season also sees important auctions, with leading houses hosting sales of Modern and Contemporary art.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

Antonio Pichillá Quiacaín was announced as ArtBo's nominated artist for the EFG Latin America Art Award, the company's annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

Travesía Cuatro hosts at its Madrid headquarters Surf and Turf, the fifth exhibition that the gallery dedicates to Milena Múzquiz (Tijuana, Mexico, 1972), that gathers, with about thirty works, the continuity of the production that began after the aesthetic and technical change produced by the end of Los Súper Elegantes, a musical group that he shared with the Argentine Martiniano López Crozet, and which represented a platform that brought together his purest expression through voice and body, as well as with the aesthetic possibilities of costumes and image.

Mid-October marks a pivotal moment in the art world, as the spotlight shifts between London and Paris. First up is London, with Frieze opening on October 9^th accompanied by a flurry of gallery openings and art events across the city. This season also sees important auctions, with leading houses hosting sales of Modern and Contemporary art.

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

April 2025 marks the arrival of Pinta Lima in its 12th edition. It will be held April 24-27 at Casa Prado, Miraflores, Lima Peru. Applications for galleries will be open until January 18, 2025.