CONNECTING WORLDS – PERUVIAN AMAZON AT PINTA MIAMI

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.

Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.

Divergent Structure is Guillermo Garcia-Cruz’s installation at Piero Atchugarry gallery that presents a parallel dimension where disjointed sculptural geometry reveals a landscape that intertwines the physical and digital realms. The exhibition is curated by Rina Gitlin.

The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.

Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.

The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.

The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.

Close encounters of the new kind is Diana Lownstein Gallery’s collective exhibition presenting artists Lidzie Alvisa, Lole Asikian, Felice Grodin, Ivelisse Jimenez, Clemencia Labin, Alejandra Padilla, Silvia Rivas, Graciela Sacco, Caroline Lathan-Stiefel and Alex Trimino.

Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.

In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.

The Pinta Miami 2024 edition -from December 5 to 8- presents proposals that enhance the Latin American gene. Arte al Día highlights four galleries from four Latin American countries: Petrus Gallery in Puerto Rico, Proyecto H in Spain and Mexico, Salar Gallery in Bolivia and Judas Gallery in Chile.

In its third consecutive edition at The Hangar, in Coconut Grove, the Pinta Miami 2024 fair celebrates its eighteenth edition from December 5 to 8 with proposals that make visible the diverse artistic narratives of Latin America. An opportunity for gallerists, artists, curators, collectors and art lovers that seek to explore the region's contemporary discourses.

The Cisneros Institute is launching its first publication Momentum: Art & Ecology in Contemporary Latin America, a book that investigates how Latin American artists engage with their environments, addressing themes such as innovative relationships with the nonhuman, land disputes, colonial legacies, and visions for the future.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Pinta Miami celebrated its 2024 edition from December 5th to 8th, 2024 with more than 16,500 visitors, 45 galleries and 14 countries present. The fair at The Hangar, Coconut Grove led to good sales –where over 90% of the galleries reported sales– and enthusiastic overall attendance providing a true exchange between private, public spheres and opportunities for artists and galleries.

CAF – Development Bank of Latin America and the Caribbean – and Pinta, an international platform for promoting Latin American art through fairs and artistic circuits across the region, have formalized a strategic alliance aimed at strengthening and promoting Latin American and Ibero-American art worldwide. This collaboration will culminate in a prominent Art Week to be held in Panama City in May 2025, a new initiative designed to position regional culture on the global stage.